Horst Kiechle

1960

Born Germany


1989

New Zealand Permanent Residency


1992

Australian Permanent Residency


Lives Bangkok, Thailand

 

EDUCATION

1997

Master of Fine Arts – 1st class honours, College of Fine Arts, University of New South Wales, Sydney, Australia. 

Research: 'Constructing the Amorphous'

1988

Diploma Ing. Bauingenieurwesen (Masters of Civil Engineering)

Thesis: 'Finite Element Calculations for the Simulation of Tensile Fracture Patterns in Cylindrical Rock Samples', University of Karlsruhe, Germany

 

SOLO EXHIBITIONS

1995-present
www.amorphous-constructions.com
http://www.vislab.usyd.edu.au/staff/horst

2000
Half the room – twice the art (more or less), Geelong Art Gallery, NSW, Australia.

2000
NORTHWESTWIND-MILD TURBULENCE, Darren Knight Gallery, Sydney, Australia

1998
Amorphous Construction, Darren Knight Gallery, Sydney, Australia

1997
Darren Knight Gallery Project, documentation images and models, Australian Technology Park, Sydney, Australia

1996
Constructing the Amorphous, Darren Knight DKW, Melbourne, Australia

1992
Written Images-Sculpted Words, Chiaroscuro Gallery, Auckland, New Zealand

1990
Words & Pictures, Words & Pictures Gallery, Auckland, New Zealand

 

GROUP EXHIBITIONS

2004
Octopus 5, curated by Nicholas Chalmers, Gertrude Contemporary Art Spaces, Melbourne, Australia (catalogue)
Australia – Contemporary Artist Exhibition 2004 Galerie PICI, Seoul, South Korea (catalogue)
9 Dragon Heads, 9th International Enviroment Art Symposium, Cheongju Art Center, South Korea (catalogue)

2002
HOST – Paris, collaboration with Gravity Feed, Biennale nationale de danse du Val-de-Marne, France

2001
Pizza Surprise!, curated by Michelle Glaser and Katie Major, Art to Go, Western Australia (catalogue)
Temporary Fixtures, Artspace, Sydney, Australia (catalogue)

2000
The Numbers Game, curated by Zara Stanhope, Adam Art Gallery, Te Pataka Toi, Victoria University, Wellington, New Zealand (cat.)
DRAB, Synapse Art Initiatives, Somersby, Australia

1999
Exit with Margaret Roberts, Contemporary Projects Space, Art Gallery of NSW, Sydney, Australia (catalogue)
PreFab, curated by Helen Stuckey & Shiralee Saul for the MAAP Festival 1999, Melbourne, Australia
HOST, architectural performance with Gravity Feed, Newtown Theatre, Sydney, Australia

1998
Ecopoetics, Synapse Art Initiatives, Somersby, Australia
After the Masters, Ivan Dougherty Gallery, Sydney (catalogue)
The Origin of Ideas, South, Sydney, Australia

1996
From Technophobia to Technophilia, Pendulum, Sydney, Australia (catalogue)
Con Versations and DePartures: Traveller's Tails, curated by Janis Bowley, OR Gallery, Vancouver, Canada

1995
D.O.T.S.,Performance Space Gallery, Sydney, Australia

1995
Chimera, Parliament House, Sydney, Australia

1993
NIKI, Tokyo Metropolitan Art Museum, Japan

1992
NIKI, Tokyo Metropolitan Art Museum, Japan
Urban Metamorphosis, Chiaroscuro Gallery, Auckland, New Zealand

1991
Auckland Children's Hospital, Aotea Center, Auckland, New Zealand

 

GRANTS

2001-2003 - Australian Council for the Arts - New Media Fund, 2 year Fellowship

2001 - First prize, Limited competition for the 3rd Stage of the Sydney Aquarium in collaboration with Misho+Associates and Rhis Architects

2000 - First prize, competition for Restaurant in Sydney Overseas Passenger Terminal in collaboration with Misho+Associates

1998 - Ministry for the Arts, New South Wales, Arts-Design-Industry grant for Folded Bodies - Project in collaboration with Visy Displays, Sydney, Australia

1997-1998 - Australia Council – New Media Fund, inaugural Artist in Residence at CSIRO, CMIS, Canberra

1997 - Australia Council - New Media Fund in collaboration with performance group Gravity Feed

1995 - Faculty Student Grant, College of Fine Arts, UNSW, travel grant to present a paper at the 6th European Full Scale Modeling Conference at the Technical University in Vienna.

 

RESIDENCIES

1999

3 months: IASPIS Studio @ School of Art & Communication, University of Malmo, Sweden


1998

2 months guest research position at the Institute for Media Communications, National German Research Centre for Information Technology, St Augustin, Germany


1997-98

Australia Council - New Media Fund- Artist in Residence at the CSIRO, Mathematical and Information Sciences, Canberra


1995 – present

Visy Industries, Australia” Cardboard and access to computer controlled manufacturing devices


1995

College of Fine Arts, University of New South Wales, Australia

 

WORK EXPERIENCE

2002

Design, manufacture and assembly instructions for ‘HOST – Paris’, remotely from Bangkok

2001

Design, development and production of large-scale cardboard sculpture for ‘Bambu’ restaurant, Visy Tech Centre, Melbourne and Overseas Passenger Terminal, Sydney

2001

Teacher, ‘Introduction to 3D modelling’ at Sydney Vislab for Bachelor of Digital Media students, COFA, The University of New South Wales, Australia

2001

Teacher, ‘Introduction to 3D modelling’ at Sydney Vislab for Honours students in Electronic and Temporal Arts, SCA, The University of Sydney, Australia

2000

Guest lecturer, Workshop: ‘Bodyparts and their gadgets’ in collaboration with Michael Johansson, Material and Virtual Design, School of Art, Culture and Communication, Malmo Sweden
Project leader: ‘Presence – the virtual unfolded’, Architectual Design Course, Deakin University, School of Architecture, Geelong, Australia
Consultant, VRML component of PhD research, COFA, University of New South Wales, Sydney, Australia

2000-2002

Collaborative projects with Micho + Associates and Rhis (architects)

1999

Teacher, ‘3D modeling with animation software’ at Sydney Vislab for the summer school program of the Australian Network for Art and Technology (ANAT)
6 months guest research position, ‘Space and Virtuality Studio’, Interactive Institute, Sweden
3 months residency, IASPIS studio at K3, University of Malmo, Sweden

1998

3 Month guest research position at the German National Research Center for Information Technology ( GMD), St. Augustin, Germany

1997-1998

Residency at CMIS, Commonwealth Scientific and Industrial Research Organisation, Canberra, Australia

1996

Consultant for 3D Facial Reconstruction - a forensic science collaboration between Richard Stanford (artist) and Meiya Sutisno (anatomist)

1995-98

Casual staff at Sydney Vislab, University of Sydney & Australian Technology Park (ATP)

1992-93

Draft Translation (German to English) of the book 'When Two Worlds Collide - Society and Ecology' by Klaus Bosselmann, RSVP Publishing, Auckland, New Zealand

1992

Michael Draper Design, Auckland, New Zealand - documentation for production of laser-cut furniture

1986-88

Part- time research assistant, Institute for Rock Mechanics, University of Karlsruhe, Germany.

1986

CSIRO - Division of Geomechanics, Melbourne, Australia. A four month laboratory project associated with hydraulic fracture testing.

1980

Medical drawings for Prof. Dr. Liebermann-Meffert published in 'The Greater Omentum', Springer Verlag, Heidelberg, Germany

 

BIBLIOGRAPHY

Australia Council for the Arts Residencies, Evolve, Australia Council for the Arts, 2000, p. 19

Baxter, Virginia, Host, RealTime, no. 29, Feb - Mar 1999

Boukabou, Ruby, Host Gravity Feed, Revolver, Feb 8-14, 1999, p.63

Cooper, Jackie, A-mazing ways with cardboard, The Sydney Morning Herald, 24 January 1998, p.3, icon section

Cooper, Jackie, Art and science come together, The Sydney Morning Herald, 17 June 1997, p.3

Gallasch, Keith, The cardboard path to the digital performance space, RealTime, 28 December 1998-January 1999, p.33

Gawronski, Alex, Temporary Fixtures, Like, Art Magazine, no. 15, winter 2001

Grose, Simon, Behind the goggles, The Canberra Times, 16 June 1997

Hellström, Maria, SEKRET SKULPTUR - Om Horst Kiechles Amorphous Constructions, Magasin für modern arkitekur, 25, 1999, p.67

Jackson, Davina, Radar, Architecture Australia, January/February 1997

Jackson, Davina, Other Geometries, Architecture Australia, March/April 1997

Kiechle, H. Mark Taylor (Guest Editor) Amorphous Structures, in ‘Surface Consciousness’, , Architectural Design, Vol 73. no. 2 March-April 2003

Kiechle, Horst, Aegis Hyposurface – Review, Architectural Review Australia, 075, 2001

Kiechle, Horst, Amorphous Constructions, Uniglory, no. 5, Arkitekt, coordinated by Lisa Kelly, 2000.

Kiechle, H and Wagner, I, Digital Creativity, Special Issue on Architecture and Design, Vol. 11, (ed.) no. 3, 2000

Kiechle, Horst and Roberts, M, Exit, Art Gallery of New South Wales, Contemporary Projects, exhibition catalogue, 1999

Kiechle, H. Constructing the Amorphous 9/96, proceedings of the 6th EFA, 1999 & Martens, B. (ed.) Conference on 'Full Scale modelling in the Age of Virtual Reality', B. IRIS-ISIS, Vienna, 1996Kiechle, Horst

'Horst Kiechle', Artlines, Issue 1-3, May 1996

Kiechle, H. GAP 95, an occasional publication of Synapse Art Initiatives

Kiechle, Horst, Constructing the Amorphous - 10/95 (Intersections II), a paper given at the Intersections 95 Conference, Sydney, 1995.

Kiechle, Horst, Constructing the Amorphous - 2/95 (Intersections II), a paper given at the Goethe-Institut as part of Chimera, 23-26 February 1995, Sydney

Lahoud, Adrian, Space in Motion, Architecture Australia, Vol.91, No.3, 2002, pp.20-22

Larsen, Chris, Designing outside the comfort zone, Property Australia, Vol.17, No.1, 2002

Leggett, Mike, Drawing the Tread, Artlink -e-volution of new media, Vol. 21, no.3, 2001, pp.34-36

Luecking, Stephen, Principles of Three-Dimensional Design: Object, Space and Meaning, Prentice Hall, 2002

McCarthy, Jennifer, Sculptor with Houdini’s touch, The Australian, 24 June 1997

Nelson, Robert, Octopus 5, The Age, 21 July 2004

Phillips, Jacqueline, Temporary Fixtures, exhibition catalogue, Artspace, Sydney, Australia, 2001

Quillaen, Diana, Verve and After The Masters, Art Monthly Australia, June 1998, p.8

Rogers, Sheridan, On the Waterfront: Dining Out in Sydney, Food + Architecture, Architectural Design, Vol. 72, No. 6, 2002, pp.68-77

Shotenkenchiku-sha Bambu - Restaurant/Sydney, World Restaurants and Bars, Shop (Publisher) Design Series, Tokyo, 2002, pp.30-33

Stanhope, Zara, One, two, three, four, knock at my door, exhibition catalogue, The Numbers Game, Adam Art Gallery, Te Pataka Toi, Victoria University, Wellington, New Zealand, 2000

Stephens, Craig, Art & Technology, Australian PC @uthority, Issue 6, May 1998, pp.130-136

Storer, Russell, Horst Kiechle INTERVIEW, Like, Art Magazine, No. 16, Sydney, 2001

Sykes, Jill, Architecture on the move, Sydney Morning Herald, 23 January 1999

Susskind, Anne, Table with a view, World Architecture, May 2002

Torok, Simon, When art & science meet, The Helix, no.59, April-May 1998, p. 5

van Niekerk, Mike, Getting the right angle on curves, The Age, 6 August 1996 and The Sydney Morning Herald, 6 August 1996

Waterlow, Nick & Hardy, Jennifer, After the Masters, exhibition catalogue, Ivan Dougherty Gallery, Sydney, Australia

White, Jennifer, Virtual Reality and the Built Environment, Architectural Press, Oxford 2002, pIX, pp. 11-19, plate 3

Williams, Antonia, Look, The Sydney Morning Herald, 19 February 1998, p. 3 domain

Visy News, A man called Horst, Issue 28, December 2000, p.13