Biography
INFO@DARRENKNIGHTGALLERY.COM
SOLO EXHIBITIONS - GROUP EXHIBITIONS -BIBLIOGRAPHY -PAGE ART - AWARDS & RESIDENCIES -COLLECTIONS -TOP
Born 1962, Christchurch, New Zealand
Lives Melbourne, Australia
EDUCATION
1998-99 MFA with RMIT, Melbourne, Australia
1995 Computer Aided Design (part-time), Christchurch Polytechnic, New Zealand
1989-91 Photography, Photo Access, Christchurch, New Zealand
1984-85 Printmaking techniques with Jill McIntosh, Wellington Arts Centre, New Zealand
1980-82 Ilam School of Fine Arts, (majoring in film studies), Canterbury University, New Zealand
2008
A Loss, Again, Te Papa Sculpture Terrace, Te Papa Tongarewa Museum of New Zealand, Wellington, New Zealand
Hold That Thought, Hamish mcKay Gallery, Wellington, New Zealand
R.U.R., Melbourne Art FAir, Melbourne, Australia
Bed/Sit, Artspace, Sydney, Australia
2006
Sleep Less, Darren Knight Gallery, Sydney & silvershot, Melbourne, Australia
Jingle Bowels, Hamish mcKay Gallery, Wellington, New Zealand
2005
The Disappearance, Ivan Anthony Gallery, Auckland, New Zealand
Now + Then = Nothing Hamish McKay Gallery, Wellington, New Zealand
Ersatz, Kunstlerhaus Bethanien, Berlin, Germany
2003-2005
I’ve Abandoned Me, touring exhibition, Dunedin Public Art Gallery, Dunedin, Auckland Art Gallery, Auckland, City Gallery, Wellington, Te Manawa, Palmerston North, New Zealand and The Ian Potter Museum of Art, University of Melbourne, Australia.
2003
Selected Photographs 1992-2002, Darren Knight Gallery Sydney, Australia
(with Jennifer Mills), Darren Knight Gallery in Melbourne, 167 Flinders Lane, Melbourne , Australia
No Exit Part 2, The Physics Room, Christchurch, Hamish McKay Gallery, Wellington, New Zealand
2002
The House of the Rising Sun, Ivan Anthony Gallery, Auckland, New Zealand
The Fall and the fall, Ramp Gallery Waikato Institute of Technology, Hamilton, New Zealand
2001
In the Road, Darren Knight Gallery, Sydney, Australia
Only the Only, Art Gallery of New South Wales, Sydney, Australia
Rear Window, Dunedin Public Art Gallery, Dunedin, New Zealand
1999
I Need a Doctor, Darren Knight Gallery, Sydney, Australia
Am I Talking to Me?, International Studio Programme, New York, USA
Mephitis, Hamish McKay Gallery, Wellington, New Zealand
1998
Symptom City, Hamish McKay Gallery, Wellington, New Zealand
Island of Complaint, Ivan Anthony Gallery, Auckland, New Zealand
A Funny Thing Happened…, The Physics Room, Christchurch, New Zealand
Survey, one of three solo exhibitions curated under the general title Necessary Protection, Govett-Brewster Art Gallery, New Plymouth, New Zealand
Nobody Knows, window installation, Auckland Art Gallery Toi o T_maki, Auckland, New Zealand
I’m Not Here, Adam Art Gallery, Wellington, New Zealand
1997
The Nutty Professor, Darren Knight Gallery, Sydney, Australia
Alien Pictures, Hamish McKay Gallery, Wellington, New Zealand
Invisible Man, installation of video and kit sets, Artspace, Auckland, New Zealand
Portraits, photographic set for Miranda Harcourt play, touring
Second to Last Laugh, installation of photocopies & kit set, Fiat Lux, Auckland, New Zealand
I’m Not Alone, Hamish McKay Gallery, Wellington, New Zealand
Disgusting Dioramas, High Street Project, Wellington, New Zealand
1996
Father, Son, Holy Ghost, Manawatu Art Gallery, Palmerston North, New Zealand
I'm Not Well, Hamish McKay Gallery, Wellington, New Zealand
You Stink, Window, Teststrip, Auckland, New Zealand
I'm OK, Govett-Brewster Art Gallery, New Plymouth, New Zealand
Mephitis, Dunedin Public Art Gallery, New Zealand
1995
Skin Problems, Teststrip, Auckland, New Zealand.
Mephitis, Darren Knight DKW, Melbourne, Australia
Mephitis, Brooke Gifford Gallery, Christchurch, New Zealand
I Forget, Hamish McKay Gallery, Wellington, New Zealand
New Photographs, Darren Knight DKW, Melbourne, Australia
1994
Room To Let - The Deathland Panels, Hamish McKay Gallery, Wellington, New Zealand
Detour: All Roads Lead To The Same Place, ELBA Art Foundation, Nijmegen, Holland
1993
Installation, Hamish McKay Gallery, Wellington, New Zealand
When Art Hits the Headlands, Cubewell House, Wellington, New Zealand
Band Embroideries, Gregory Flint Gallery, Auckland, New Zealand
1992
Return Of The Living Dead, Gow Langsford Gallery, Wellington, New Zealand
1990
photography show, Southern Cross Gallery, Wellington, New Zealand
1989
Multiplying Personality, Gregory Flint Gallery, Wellington, New Zealand
1988
Maginnity St/The Big Sleep, Southern Cross Gallery, Wellington, New Zealand
1987
The Object: Believing is Seeing, Southern Cross Gallery, Wellington, New Zealand
Believing is Seeing, Southern Cross Gallery, Wellington, New Zealand
Paintings, Manawa Gallery, Christchurch, New Zealand
1986
The True Cross, Southern Cross Gallery, Wellington, New Zealand
1985
More For Less, City Limits Cafe, Wellington, New Zealand
SOLO EXHIBITIONS - GROUP EXHIBITIONS -BIBLIOGRAPHY -PAGE ART - AWARDS & RESIDENCIES -COLLECTIONS -TOP
2008
Primary Views, Monash University Museum of Art, Melbourne, Australia
Lost & Found: An Archaeology of the Present, TarraWarra Biennial, Victoria, Australia
2007-2008
The Visitors: The Australian Response to UFO's and Aliens, Penrith Regional Gallery & The Lewers Bequest,
Sydney, Australia
Existence - life according to art, Waikato Museum , Hamilton, New Zealand
2007
Eye to I - the self in recent art, Ballarat Fine Art Gallery, Victoria, Australia
Collect - New Acquisitions, Christchurch Art Gallery, Christchurch, New Zealand
Postmodern New Zealand Te Toi Hu Amuri Ki Aotearoa, Te Papa Tongarewa Museum of New Zealand,
Wellington, New Zealand
A Room Inside, The Ian Potter Museum of Art, The University of Melbourne, Australia
Relentless Optimism, The carlton Hotel, Melbourne, Australia
2006
Resistance is Futile, VCA Margaret Lawrence Gallery, Melbourne
Tomorrow, again, Artspace, Sydney, Australia
High Tide, Zacheta National Gallery of Art, Warsaw, Poland & the Contemporary Art Centre, Vilnius, Lithuania
Masquerade. Representation and the Self in Contemporary Art, Museum of Contemporary Art, Sydney, Australia
Reverie Switchback Gallery, Gippsland, Victoria, Australia
2005
Small world big town – Contemporary art from Te Papa City Gallery Wellington, New Zealand
Group show of past and present residency artists, Künstlerhaus Bethanien, Berlin, Germany
Das Unfassbare, 2YK Gallerie, Berlin, Germany
2004
Black Box, Australian Centre for Photography, Sydney
Instinct, Faculty Gallery, Faculty of Art & Design, Monash University, Caulfield Campus, Melbourne
An Exhibition of Multiplies, Hamish McKay Gallery, Wellington, New Zealand
Prospect 2004, City Gallery, Wellington, New Zealand
New work, Hamish McKay Gallery, Wellington, New Zealand
Planet B, Magazin4 Vorarlberger Kunstverein & Bregenzer Kunstverein, Bregenz, Austria
The Walters Prize, jury selected finalists, Auckland Art Gallery, New Zealand
Coming home in the dark, Christchurch Art Gallery, New Zealand
2003-2004
Home Sweet Home: Works from the Peter Fay Collection, touring National Gallery of Australia, Canberra (touring exhibition)
A Modelled World, McClelland Gallery + Sculpture Park, Victoria, Australia
2003
Still Life: The Inaugural Balnaves Foundation Sculpture Project, Art Gallery of New South Wales, Sydney, Australia
Small Worlds, Porirua Group Show, Pataka Gallery, New Zealand
Video Spell 2: Personae, Performance Space, Sydney, Australia
Drama is Conflict, Linden, Melbourne, Australia
Indians + Cowboys, Gallery 4a, Sydney, Canberra Contemporary Art Space, ACT, Australia
Extended Play- Art Remixing Music, Govett-Brewster Art Gallery, New Plymouth, New Zealand
Spaced Out, Australian Centre for Photography, Sydney, Australia
Supernaova: A Tribute to Giovanni Intra, Hamish McKay Gallery, New
2002-2003
It’s Hard to be Human, The Ian Potter Museum of Art, University of Melbourne, Australia
2002
Analogue Technologies, Canberra Contemporary Art Space, Canberra, Australia
Big Bang Theory, Recent Chartwell Acquisitions, Auckland Art Gallery Toi o T_maki, Auckland, New Zealand
Possible Worlds, Artspace, Auckland, New Zealand
ELVIS HAS JUST LEFT THE BUILDING, Perth Institute of Contemporary Arts, Perth Cultural Centre, Western Australia
Tomorrow People, Lord Mori Gallery, Los Angeles, USA
2001
S11 Show, Victorian College of the Arts, Melbourne, Australia
Feature: Art, life & cinema, Govett-Brewster Art Gallery, New Plymouth, New Zealand
Good work, The Jim Barr and Mary Barr Collection, Dunedin Public Art Gallery, City Gallery, Wellington, NZ
Lo-Tones, (with Mikala Dwyer), Hamish McKay, Wellington, New Zealand
Dark Plain, Centre of Contemporary Art, Christchurch, New Zealand
Tomorrow People, The Physics Room, Christchurch, New Zealand
Bright Paradise, The 1st Auckland Triennial 2001, Auckland Art Gallery
Inheriting the Netherlands, Museum of New Zealand Te Papa Tongarewa, Wellington, New Zealand
The Multistylus Programme: Recent Chartwell Acquisitions, Auckland Art Gallery Toi o T_maki, Auckland, New Zealand
Te Maunga Taranaki: Views of a Mountain, Govett-Brewster Art Gallery, New Plymouth, New Zealand
ART/MUSIC, Museum of Contemporary Art, Sydney, Australia
2000-2002
Telling tales: the child in contemporary photography, Monash University Gallery, Melbourne and Bendigo Art Gallery, Bendigo, Australia, The Perth Institute of Contemporary Arts, WA
2000
Inheriting the Netherlands, Lopdell House, Auckland, New Zealand
Wonderlands: Views on Art and Life at the End of the Century, at the End of the World, Govett-Brewster Art Gallery, New Plymouth, New Zealand
Spaghetti Dharma, Hamish McKay Gallery, Wellington, New Zealand
Drive: power/progress/desire, Govett-Brewster Art Gallery, New Plymouth, New Zealand
What’s New?: The Latest Art at Te Papa, Museum of New Zealand Te Papa Tongarewa, Wellington, New Zealand
1999
Toi, Toi, Toi: Three Generations of Artists, Museum Fridericianum, Kassel, Germany and Auckland City Art Gallery, New Zealand
Word, Museum of Contemporary Art, Sydney, Australia
Who Do I Think I Am, curated by Jim and Mary Barr, Artspace, Auckland, New Zealand
Multiples Show, Ivan Anthony Gallery, Auckland, New Zealand
Works on Paper, Hamish McKay Gallery, Wellington, New Zealand
1998
Leap of Faith, Govett-Brewster Art Gallery, New Plymouth, New Zealand
Tainted Love/Necessary Protection, Govett-Brewster Art Gallery, New Plymouth, New Zealand
Dream Collectors, Te Papa Tongarewa, Wellington, New Zealand; Auckland Art Gallery Toi o T_maki, Auckland, New Zealand;
Dunedin Public Art Gallery, Dunedin, New Zealand
Folklore: The New Zealanders, Artspace, Auckland, New Zealand
Hobby Core, Stripp Gallery, Melbourne, Australia
The Collected Works, Govett-Brewster Art Gallery, New Plymouth, New Zealand
1997-99
Pre-Millennial (with Mike Stevenson), Contemporary Art Centre of South Australia, Adelaide; Australian Centre for Contemporary Art, Melbourne; Darren Knight Gallery, Sydney; City Gallery Wellington Te Whare Toi, Dunedin Public Art Gallery, McDougall Art Annex, Christchurch; Auckland Art Gallery, Auckland.
1997
The Karaokes, music & video, opens Dunedin Public Art Gallery; touring: The Physics Room, Christchurch; Suter Gallery, Nelson; Govett-Brewster Art Gallery, New Plymouth; The Film Centre, Wellington; Waikato Museum of Art and History, Nelson, New Zealand
Crash and Burn, video, Physics Room, Christchurch, New Zealand
Now showing: Artists go to the Movies, touring show of photography, opens Film Centre, Wellington, New Zealand; Lopdell House Gallery, Auckland, New Zealand
Group show, Lesley Kriesler Gallery, New Plymouth, New Zealand Disgusting Diorama's, with Francis Upritchard, High Street Project, Christchurch, New Zealand
1996
Darren Knight DKW at Doggett Street Studio, Brisbane, Australia
Road To-Love, curated by Mikala Dwyer, Sarah Cottier Gallery, Sydney, Australia
Seven New Zealand Artists, Mornington Peninsula Regional Gallery, Mornington, Australia
Nostalgic, Monash University Gallery, Melbourne, Australia
Failure, curated by Julian Holcroft, Linden Gallery, Melbourne, Australia
Exactly, curated by Vivienne Shark LeWitt, 200 Gertrude Street, Melbourne, Australia
Flying Nun Anniversary Art Exhibition, 23a Gallery, Auckland, New Zealand
Open Hang, Dunedin Public Art Gallery, Dunedin, New Zealand
1995-96
Hangover, Waikato Museum of Art and History, Hamilton, Govett- Brewster Art Gallery, New Plymouth, Dunedin Public Art Gallery, Dunedin and the Robert McDougall Art Gallery, Christchurch, New Zealand.
1995
Easter Show, Darren Knight DKW, Melbourne, Australia
A Very Peculiar Practice, Aspects of Recent New Zealand Painting, Wellington City Art Gallery Te Whare Toi, New Zealand
Everyday Pathomimesis, Ilam School of Fine Arts Gallery, University of Canterbury, Christchurch, New Zealand
Sculpitecture, Hamish McKay Gallery, Wellington, New Zealand
1994
Ronnie, Barnie, Shane, Jo & Mike, Darren Knight DKW, Melbourne, Australia
Rock'n'Roll Art Show, Teststrip, Auckland, New Zealand.
Group Show, Hamish McKay Gallery, Wellington, New Zealand
Sad Sketches (with Kirsty Cameron), Teststrip, Auckland, New Zealand
Photography Show, Hamish McKay Gallery, Wellington, New Zealand
Elvis in Geyserland, Rotorua Art Gallery and Museum, Rotorua, New Zealand
Circle of Confusion, Hamish McKay Gallery, Wellington, New Zealand
150 ways of Loving, Artspace, Auckland, New Zealand
1993
Paintings from the Future (with Isobel Thom), Teststrip Gallery, Auckland, New Zealand
After, AfterMcCahon, Cubewell House, Wellington, New Zealand
Suffer, Teststrip, Auckland and Hamish McKay Gallery, Wellington, New Zealand.
Visa Gold Art Award, Wellington Public Library, Wellington, New Zealand
Group Show, Gregory Flint Gallery, Auckland
1992
Shadow of Style: Eight New Artists, City Gallery, Wellington, and Govett-Brewster Art Gallery, New Plymouth, New Zealand
Four Southern Artists, Gow Langsford Gallery, Wellington, New Zealand
1989
Group Show, Southern Cross Gallery, Wellington, New Zealand
1987
Six Painters, Southern Cross Gallery, Wellington, New Zealand
1986
Eight Artists, curated by George Hubbard, Visual Diaries Gallery, New Zealand
Advanced Capitalist Realism, (with Colin Lee), Victoria University Library, Wellington
1984
Good Movies, organised and toured by the New Zealand Students Arts Council. Wellington, New Zealand
1983
Paintings, (with Martin Whitworth), CSA Gallery, Christchurch, New Zealand
1981
3D, Robert McDougall Art Gallery, Christchurch, New Zealand
SOLO EXHIBITIONS - GROUP EXHIBITIONS -BIBLIOGRAPHY -PAGE ART - AWARDS & RESIDENCIES -COLLECTIONS -TOP
SELECTED BIBLIOGRAPHY
Angeloro, D. ‘Critics Picks’, Metro, The Sydney Morning Herald, August 15-21, 2003
Barr, J & M. ‘Wake me up when we get there’ Art & Australia Summer 1992
Barr, Jim & Mary ‘2004 Walters Prize’ Art and Australia Vol 42 No 4 Winter 2005
Barr, Jim & Mary ‘The Collected Works: Going Public at the Govett-Brewster Art Gallery 1970-2000’, cat., Govett-Brewster Art Gallery, New Plymouth, 1999
Barr, Jim & Mary & Leonard, R. ‘Who Do I Think I Am’, exhibition catalogue, Artspace, Auckland, 2000
Beaglehole, H. & Trewby, M [eds]. ‘Dream collectors: one hundred years of art in New Zealand’, Museum of New Zealand Te Papa Tongarewa, Wellington, New Zealand 1998
Brown, W. ‘Another 100 New Zealand Artists’ Godwit 1996
Butler, R & Intra,G ‘Pre-Millennial’, exhibition catalogue, Darren Knight Gallery, Sydney
Burke, G. & Scott, H. eds ‘Drive: power/progress/desire’, exhibition catalogue, Govett-Brewster Art Gallery, New Plymouth, 2000
Burke, G. & Rees, S. ‘Extended Play – Art Remixing Music’, exhibition catalogue, Govett-Brewster Art Gallery, New Plymouth, 2003
Byrne, L. ‘Analogue Technologies’, catalogue, Canberra Contemporary Art Space, Canberra, 2002
Byrt, Anthony ‘Who’s There? Ronnie van Hout and the Anti-Hero Aesthetic’, Art New Zealand 108, Spring 2003
Campbell, J. ‘Tomorrow People’, catalogue, The Physics Room, Christchurch, 2001
& Laird, T.
Campbell, J. & Laird, T. ‘Tomorrow People’, catalogue, The Physics Room, Christchurch, 2001
Chapman, C. Indians+Cowboys, review, Broadsheet, vol.32, no.3, Sept-Nov 2003
Clemens, J. ‘Don’t Worry, Be Someone Else’, Like, Art Magazine 3, 1997, pp.23-26
Conland, N. ‘Inheriting the Netherlands’, exhibition catalogue, Lopdell House Gallery, Auckland, 2000
Desmond, M. Still Life, review, Broadsheet, vol 32., no. 4, Dec 2003-Feb 2004
Davis, L. ‘Learning to Read’, catalogue essay, A Very Peculiar Practice, City Gallery, Wellington Te Whare Toi, Wellington 1995, pp.16-20.
Dempster, S. ‘All too human,’ New Zealand Listener, 6 July, 2005
Dwyer, M. ‘Road to Love’, catalogue, Sarah Cottier Gallery, Sydney, 1996
Foster, S. ‘Wellington’, Art New Zealand 44 1987, pp 49-50.
Fortescue, E. Shaping up nicely’, The Daily Telegraph, Friday, 5 September 2003
Fortescue, E. ‘Sense of self in these two shows of strength’ The Daily Telegraph 7 February 2006, p. 55
Fortescue, E. ‘Sense of self in these two shows of strength’ The Australian 7 February 2006, p. 55
French, B. Video Spell 2: Personae, catalogue, Performance Space, Sydney, 2003
French, B. ‘Model Images; The Recent Photography of Ronnie van Hout’, Art New Zealand 56, Spring 1990, pp.58-59
Gardiner, S. ‘House of the rising sun’, Artnotes NZ North Island, Art Monthly Australia, no. 153, September 2002
Garret, L. ‘Welcome to Paranoia’, The Press, 17 December 1997. p.20.
Gennocchio, B. ‘Something borrowed, dark and sceptical’, Business Review Weekly, 6 October 1997, p.114
Hall, Karen ‘Teenage Riot. Representations of Adolescence in Contemporary Art’, Artlink, Volume 21 No. 2, 2001
Hart, D. ‘Home Sweet Home: an artist-collector’s passion’, Home Sweet Home: Works from the Peter Fay collection exhibition catalogue, National Gallery of Australia, Canberra, Australia, 2003
Hill, P. ‘A Feast from the East’, The Sydney Morning Herald, Spectrum, October 25-26, 2003
Hillery, S. ‘Values and Heroes’, interview, Stamp, 28 February 1992, pp 14-15.
Hinrichsen, J. ‘Marmenschen schauen dich an,’ Tagesspiegel, July 13, 2005
Hipkins, G. ‘Folklore: The New Zealanders’, exhibition catalogue, Artspace, Auckland and Sarjeant Gallery, Wanganui, 1998
Holcroft, J. ‘Failure’, catalogue, Linden Gallery, Melbourne, 1996
Hudsucker, R. The Art of Not Being Govered – an interview with Ronnie van Hout, White Fungus Magazine Issue 6, p. 22
Hurrell, J. ‘In Search of Intelligent Life (within or without Ronnie)’, catalogue essay, 'I'm OK', Govett-Brewster Art Gallery, New Plymouth. 1996
Huppatz, D.J. ‘PreMillenial: Signs of the Soon Coming Storm’, Globe 6, 1997 (http://www.arts.monash.edu.au/visarts/globe/issue6/pretxt.html).
Hutchinson, R. ‘((Incompetency) and Suicide) Ronnie van Hout’s Crash and Burn’, Log Illustrated 1, Winter 1997, p. 28.
Hyland, M. ‘Ronnie van Hout’, in Toi, Toi, Toi: Three Generations of Artists from New Zealand, catalogue, Museum Fridericianum, Kassel, and Auckland Art Gallery Toi o T_maki, 1999, pp.143-144.
Kent, R. Masquerade, catalogue, Museum of Contemporary Art, Sydney, 2006.
Laird, T. Skin Problems review, Craccum 7, April 1995
Leonard, R. ‘Leap of faith,’ Govett-Brewster Art Gallery, New Plymouth, New Zealand.
Leonard, R. ‘Overimpressed’, art/text, No.57, May/July 1997, pp.32 –34
Lonie, B. Ronnie van Hout, broadsheet, vol.32, no. 2, June, July, August 2003, p.30
Low. L. A. ‘Indians and Cowboys’, Sydney Morning Herald (Metropolitan), 17-18
May 2002. p.12.
Lindsay, Shonagh ‘From the periphery, latter day prophets’, Gallery News, Auckland Art Gallery, New Zealand, March, April, May 1999, unpaginated
Matthews, P. ‘Eye of the storm’ New Zealand Listener, December 1997 pp. 40-42
McAloon, W. ‘Te Naunga Taranaki: Views of a Mountain’, catalogue, Govett-Brewster Art Gallery, New Plymouth, 2001
McAuliffe, C. ‘Keep On Rockin’ in the Art World, Like, Art Magazine, #15, Winter,
2001
McDonald, E. ‘Dark Plain’, catalogue, Christchurch Arts Festival, Christchurch, 2001
McKenzie, D. ‘Ronnie van Hout: The Devil finds work for idle hands’, interview, Hangover catalogue, Dunedin Public Art Gallery, Govett-Brewster Art Gallery and Waikato Museum of Art and History, 1995
McKenzie, S. ‘Junk Joint’, Artforum February-March 1995, pp 39-40
McKenzie, S. ‘Stupid as a Photographer’, catalogue essay, Shadow of Style: eight new artists, Wellington City Art Gallery, Govett-Brewster Art Gallery, New Plymouth, 1992, pp 18-19
McNamara,T.J. Weekend Herald, Auckland, NZ, May 30, 1998
Marsh, A. ‘Telling Tales’, exhibition catalogue, Monash University Gallery, 2000
Matthews, P. ‘Art as Conspiracy’, the Listener, 8 May 1999, pp.36-37
‘Eye of the Storm’, The Listener, 20 December 1997, pp. 40-42.
Neate, R. ‘The King of Comedy - The Cinema, Cezanne, Nazi's and Sausages’, interview, Midwest Number Six, 1994.
Neate, R. ‘Ronnie van Hout’, Art & Text No. 54 May 1996.
Neate, R. & McKenzie,S.‘Now Showing: Artists Go to the Movies’, exhibition catalogue, Exhibitour, Wellington 1997
Oberg, S. ‘Father, Son, Holy Ghost’, catalogue, Manawatu Art Gallery, Palmerston North, New Zealand, 1996.
Paton, J. Ronnie van Hout: I’ve Abandoned Me, Dunedin Public Art Gallery, 2003
Paton, J. ‘Planet B’, Magazin4 Bregenzer Kunstverein, Bregenz, Austria, 2004
Paton, J. Ronnie van Hout: I’ve Abandoned Me, Dunedin Public Art Gallery, 2003
Paton, J. The Press, 2 August 1995.
Paton, J. ‘Frequent Flyers: Toi Toi, Toi in Auckland’, Art New Zealand, No. 92, Spring 1999. pp.46-50
Pitts, P. ‘Contemporary New Zealand Sculpture: Themes and Issues’, catalogue, David Bateman, Auckland, 1998
Rees, S. ‘Only The Only’, catalogue essay, AGNSW Contemporary Projects,
2001
Rees, S. ‘Art>Music: Rock,Pop, Techno’, Art and Australia, Vol. 39. no. 1, 2001
Rooney, R. ‘Heirloom’, Nostalgic review, The Australian, 1 June 1996.
Scott, H. ‘Monkey Business’, Pavement, 2003
Schofield, Linda ‘Surviving the millennium’, Broadsheet, vol. 26 no.3, Contemporary Art Centre of South Australia p.23
Shark LeWitt, V. ‘Exactly’, catalogue, 200 Gertrude Street, Melbourne 1996.
Smee, S. ‘Animal Magnetism’, Sydney Morning Herald, 15 June 1999, p.12
‘Bin there, done art’, Sydney Morning Herald, Metro, 10 October 1997
Smith, A. ‘The Big Bang Theory: Recent Chartwell Acquisitions’, exhibition catalogue, Auckland Art Gallery Toi O T_maki, Auckland, New Zealand
Smith, A. A Very Peculiar Practice: A User's Guide, catalogue essay, A Very Peculiar Practice, City Gallery Wellington Te Whare Toi, Wellington 1995, pp 6-14.
Smith, A. The Paradise Conspiracy, Bright Paradise, exhibition catalogue, Auckland Art Gallery Toi O T_maki, Auckland, New Zealand
Speers, J. Father, Son, Holy Ghost: An Installation by Ronnie Van Hout, Monica, June/July 96, p.33
Stanhope, Z. ‘Nostalgic’, exhibition catalogue, Monash University Gallery, 1996
S´witek, G. ‘And Who So Happy?’ Broadsheet June- August 2006, pp. 90 - 93
Tayor, A. ‘Drama is Conflict’, exhibition catalogue, Linden - St .Kilda Centre for Contemporary Arts, May 2003
Taylor-Wood, A. ‘I’ve Abandoned me,’ Urbis, July 2004
Tunnicliffe, W. ‘Still Life’, catalogue essay, Art Gallery of NSW, 2003
Tunnicliffe, W. ‘Objective Art, Look, Art Gallery of New South Wales, September 2003
Ussher, R. ‘Mephitis, The Press, May 1998
van Hout, R. No Exit, Parts 1 & 2, catalogue, 2003
Vangioni, P. Southern Gothic: Dark sounds in the Garden City, b.138, Bulletin of the Christchurch Art Gallery, Spring, Sept.-Nov. 2004
Vasiliou, L. ‘Instinct’, catalogue essay, Monash University Museum of Art, 2004
Were, V. ‘Ronnie van Hout’, Arts News New Zealand, Autumn 2003
Wong, G. ‘The art of provocation’, The Age Review, The Age, 30 October 2004
Wood, A. P. ‘Attack of the Clones’, Urbis, Winter 2004, pp.45-47.
SOLO EXHIBITIONS - GROUP EXHIBITIONS -BIBLIOGRAPHY -PAGE ART - AWARDS & RESIDENCIES -COLLECTIONS -TOP
Illusion 1991, pp 22-25
Mephitis , Ronnie van Hout in association with Darren Knight DKW, Melbourne 1995.
Midwest 1, Govett-Brewster Art Gallery, New Plymouth, 1992, cover.
Film Fun (with Robin Neate), Midwest 6, Dunedin Public Art Gallery, 1994, pp 28-29.
South Island Art Project Newsletter, 16 August 1995, p25.
Sport 9, Spring 1992, cover.
Broadsheet, (cover), Volume 26 No 2 Winter 1997
Toi, Toi, Toi, exhibition catalogue, Museum Fridericianum Kassel/Auckland Art Gallery, 1999.
2005 Laureate Artist, Arts Foundation of New Zealand
2004/2005 Artist in Residence, International Studio Programme, Kunstlerhaus Bethanien, Berlin, Germany
2004 Finalist, Walters Prize, New Zealand
2003/2004 Artist in Residence, Massey University, Wellington, New Zealand
1999 Residency, International Studio Program, PS1, New York
1996 Major Creative New Zealand Grant
Artist in Residence, Govett-Brewster, New Plymouth Polytech
1994 Residency, ELBA, Nijmegen, The Netherlands
1993 Travel Grant, QE II Arts Council
1989 Professional Development Grant, QE II Arts Council
1986 New Artists Grant, QE II Arts Council
National Gallery of Victoria, Australia
Art Gallery of New South Wales, Australia
Art Gallery of Western Australia
Monash University Collection, Monash University, Melbourne, Australia
Govett-Brewster Art Gallery, New Plymouth, New Zealand
Dunedin Public Art Gallery, Dunedin, New Zealand
The Robert McDougall Art Gallery, Christchurch, New Zealand
Waikato Museum of Art and History, Hamilton, New Zealand
Auckland Art Gallery, Auckland, New Zealand
Museum of Contemporary Art, Los Angeles, USA
Chartwell Collection, Auckland Art Gallery, New Zealand
Christchurch Art Gallery, Christchurch, New Zealand
Manuwatu Art Gallery, Palmeston North, New Zealand
Museum of New Zealand Te Papa Tongarewa, Wellington New Zealand
Sargent Gallery, Wanganui, New Zealand
Victoria University, Wellington, New Zealand
Wellington City Gallery, Wellington, New Zealand
REPRESENTED BY
Darren Knight Gallery, Sydney, Australia
Hamish McKay Gallery, Wellington, New Zealand
Ivan Anthony Gallery, Auckland, New Zealand
RONNIE VAN HOUT
SOLO EXHIBITIONS - GROUP EXHIBITIONS -BIBLIOGRAPHY -PAGE ART - AWARDS & RESIDENCIES -COLLECTIONS -TOP