![]() |
Louise Weaver | ARTISTS - PROGRAM - ABOUT - HOME INFO@DARRENKNIGHTGALLERY.COM |
|
1966 Born Mansfield, Victoria, Australia Lives, Melbourne, Australia
EDUCATION
1986-88 - Royal Melbourne Institute of Technology, Faculty of Art, Design and Communication. Bachelor of Arts, Painting
1992-96 - Royal Melbourne Institute of Technology, Faculty of Art, Design and Communication. Masters of Arts, Painting
Currently lectures in School of Art and Culture at RMIT, Melbourne
SOLO EXHIBITIONS 2009 Firestarter, Darren Knight Gallery, Sydney, Australia
2008 Secrets are for keeping, Darren Knight Gallery at Melbourne Art Fair, Melbourne, Australia
2007 Out of this world, Darren Knight Gallery, Sydney, Australia
2006 TAKING A CHANCE ON LOVE - Selected works 1990-2006, McClelland Gallery and Sculpture Park, Victoria, Australia
2005 NO SMALL WONDER, Darren Knight Gallery, Sydney, Australia NO SMALL WONDER, Darren Knight Gallery at silvershot, Melbourne, Australia
2004 Australian Print Workshop Gallery, Melbourne, Australia
2003 Michael Lett, Auckland, New Zealand TAKING A CHANCE ON LOVE, Darren Knight Gallery, Sydney, Australia Moonlight Becomes You, City Gallery Wellington, New Zealand and Dunedin Public Art Gallery, Dunedin New Zealand Louise Weaver selected works – 1999 to 2003, presented by Scanlan and Theodore, GPO Melbourne, Australia
2001 MAKE BELIEVE, Darren Knight Gallery, Sydney, Australia.
1999 Darren Knight Gallery, Sydney, Australia.
1997 Darren Knight Gallery, Sydney, Australia. I have a small yellow bird in my ear that sings, 200 Gertrude Street, Melbourne, Australia.
1996 Stephen McLaughlan Gallery Melbourne, Australia. Blossoms of the snow are always six-pointed, Faculty Gallery, RMIT, Melbourne, Australia.
1995 Westspace, Melbourne, Australia.
1993 The Open Studio, Studio exhibition, Greene Street, New York City, USA.
GROUP EXHIBITIONS 2010 2010 Adelaide Biennial of Australian Art: Before and After Science, Art Gallery of South Australia, Adelaide Wilderness: Balnaves contemporary painting Art Gallery of New South Wales, Sydney, Australia Magnetic Islands, RMIT Project Space / Spare Room, Melbourne, Australia Almanac, the Gift of Ann Lewis AO, Museum of Contemporary Art, Sydney, Australia Fully Booked, Arts Project Australia, Melbourne Curious Colony – A twenty first century Wunderkammer, Newcastle Region Art Gallery, New South Wales, Australia 2009 Auckland Art Fair, Auckland, New Zealand
2008-2009 The enchanted forest – new gothic storytellers Geelong Gallery, Victoria, Australia and Touring
2008 Look! New Perspectives on the Contemporary Collection National Gallery of Victoria, Melbourne, Australia Premonitions – Monash University Gallery Collection 1961-2007, McClelland Gallery and Sculpture Park, 2007 Fictions, presented by Switchback Gallery, Gippsland Centre for Art and Design, Monash University, Churchill, Australia Secondary Sources, School of Art Gallery, RMIT University, Melbourne, Australia
2007 Fondamenti Nove, Australian Print Workshop, Melbourne, Victoria DE OVERKANT/DOWN-UNDER, The Hague Sculpture, The Netherlands MCA Collection: New Acquisitions 2007, MCA, Sydney, Australia Love Chief, Auckland Art Gallery, Auckland, New Zealand Voiceless – I feel therefore I am, Sherman Galleries, Sydney Australia Australian Print Workshop: Impressions from Australia, Australian Ebassy, Washington, USA. Group Exhibition, Darren Knight Gallery at Ryan Renshaw Gallery, Brisbane, Australia
2006 Yours, Mine & Ours, 50 years of ABC TV, Campbelltown Arts Centre, Sydney High Tide, Zacheta National Gallery of Art, Warsaw, Poland & the Contemporary Art Centre, Vilnius, Lithuania Artbank Celebrating 25 Years of Australian Art Touring exhibition, Australia The Armory Show Art Fair, New York, USA X Marks the Spot, RMIT School of Art Gallery, Melbourne, Australia Animals as allegory, QUT Art Museum, Queensland, Australia Multiplicity: Prints and Multiples, Museum of Contemporary Art, Sydney Australia and tour to regional Australian galleries
2005 Unstrung-the bead in contemporary art, Latrobe Regional Gallery, Victoria, Australia The Grey Voice - contemporary Australian drawing, Tin Sheds Gallery, Sydney Australia Where the Wild Things Are, UTS Gallery, Sydney, Australia After Nature, Lake Macquarie City Gallery, Lake Macquarie, New South Wales, Australia The Butterfly Effect, Australian Museum, Sydney
2004 Mind’s Eye, Hazelhurst Regional Gallery and Arts Centre, Sydney
2003-2004 Home Sweet Home: Works from the Peter Fay Collection, National Gallery of Australia, Canberra, touring Art Australia, touring Germany: Kunst:Raum Sylt-Quelle, Gallerie Seippel, Köln, Stätische Gallerie, Delmenhorst, Germany Hothouse: the Flower in Contemporary Art, touring: State Library of Victoria; Geelong Art Gallery; Gippsland Art Gallery; Victoria; McCelland Art Gallery, Victoria, Australia Home and Away; Place and identity in recent Australian Art, touring: Shepparton Art Gallery, Vic; Newcastle Region Art Gallery, NSW; University of Queensland; Faculty Gallery, Faculty of Art & Design, Monash University Museum of Art, Melbourne; Swan Hill Regional Art Gallery, Victoria A Modelled World, McClelland Gallery + Sculpture Park, Victoria
2003 The future in every direction: Celebrating the Joan Clemenger Endowment for Contemporary Art, National Gallery of Victoria, Melbourne, Australia New 03, Australian Centre for Contemporary Art, Melbourne, Australia The Cicely and Colin Rigg Contemporary Design Award,The National Gallery of Victoria, The Ian Potter Centre, Federation Square, Melbourne, Australia Fieldwork: Australian Art 1968-2002, The National Gallery of Victoria, The Ian Potter Centre, Federation Square, Melbourne, Australia
2002-2004 Material Witness, touring exhibition, Tamworth City Gallery, NSW, Mornington Peninsula Regional Gallery, VIC., QUT Cultural Precinct Art Museum, Brisbane, Campbelltown City Bicentennial Art Gallery, NSW, Port Pirie Regional Art Gallery, SA, Tweed River Regional Art Gallery, NSW, John Curtin Gallery, WA, Queen Victoria Museum and Art Gallery, TAS, Australia Many in One: Place and Identity in recent Australian art, Monash University Museum of art touring exhibition: Shepparton Art Gallery, Shepparton, Victoria, Newcastle Region Art Gallery, Newcastle, New South Wales, Queensland University Art Museum, Brisbane, Queensland, Faculty Gallery, Monash University, Swan Hill Regional Gallery, Swan Hill, Victoria
2002-2003 Gulliver’s Travels, touring exhibition, College of Fine Arts, Sydney; Monash University Museum of Art, Melbourne; Institute of Modern Art, Brisbane; Canberra Contemporary Art Space, Canberra; Contemporary Art Centre of South Australia, Adelaide and Perth Institute of Contemporary Art, Perth.
2002 People, Places + Ideas, Celebrating Four Decades of the Monash University Collection, Monash University Museum of Art, Victoria, Australia Wildlife, Australian Print Workshop Gallery, Melbourne, Australia Bitter Sweet, Art Gallery of NSW, Sydney, Australia Stitching: An Artisan Approach, Project Space and Spare Room, RMIT, Melbourne, Australia Big Bang Theory; Recent Chartwell Acquisitions, Auckland Art Gallery, Auckland, New Zealand
2001-2002 Australian Paper Art Awards, The George Adams Gallery, Melbourne; Artspace, Adelaide Festival Centre; UTS Gallery, University of Technology, Sydney, Australia
2000- 2002 Wildlife - A Field Guide to the Post-Natural, Textile Museum of Canada, Toronto, London, Regional Art and Historical Museums, Dunlop Art Gallery, Regina, Saskatchewan, Canadian Craft Museum, Vancouver, British Columbia, Walter Phillips Gallery, Banff, Alberta, Canada.
2001 Black/White & Grey, Darren Knight Gallery, Sydney The sparkling white wine sailor cat AND cormorant friend Leon, project space, RMIT, Melbourne, Australia Low-down, recent acquisitions, Monash University Gallery, Melbourne, Australia Our Place; issues of identity in recent Australian art, Monash Centre, Prato, Italy Alive! Still Life into the twenty-first century, Adam Art Gallery, Wellington, New Zealand
2000-2001 Lightfingered, Plimsoll Gallery, Hobart and touring throughout regional Australia
2000 Liberty, RMIT Gallery, RMIT, Melbourne, Australia. The Retrieved Object, Linden Arts & Gallery, Melbourne, Australia Rent, Overgaden, Copenhagen, Denmark and ACCA, Melbourne, Australia. The Crystal Chain Gang – prismatic geometry in recent art, Auckland Art Gallery, New Zealand. Works on paper, Sung Shin Museum, Sung Shin University, Seoul, Korea. The Exquisite Corpse, Bendigo Art Gallery, Bendigo, Australia. All creatures great and small, Old Treasury Building, Melbourne, Australia.
1999 People, Places, Pastimes: Changing perspectives of Ipswich, Global Arts Link, Ipswich, Australia. Emblematic, Smith and Stoneley, Brisbane, Australia. Works on Paper by Contemporary Australian Artists, Seoul National University, Seoul, Korea. Contempora 5, The Ian Potter Museum of Art, The University of Melbourne, Australia.
1998 Eyedream, Grainger Museum, The University of Melbourne, Australia. Unhomely, Art Sonje Center, Seoul, Korea. Metamorphosis, Mornington Peninsula Regional Gallery, Victoria, Australia Loop, touring exhibition, initiated by 200 Gertrude Street, Melbourne, Australia. Ecologies of Place and Memory, University Gallery, University of Tasmania, Plimsoll Gallery, Centre for the Arts, Hobart, Tasmania. National Works on Paper, Mornington Peninsula Regional Gallery, Australia. Transformations, RMIT Gallery, Melbourne, Australia. Taken, Project Space, RMIT, Melbourne, Australia.
1997 1997 Moet & Chandon Touring Exhibition, Queensland Art Gallery, National Gallery of Victoria, Art Gallery, of Western Australia, Art Gallery of New South Wales, Art Gallery of South Australia. Deacon Graham and James/Arts 21 Award, Museum of Art, Melbourne University, Melbourne, Australia. Australian Perspecta 1997; Between Art and Nature, Museum of Contemporary Art, Sydney, Australia. Multiplication: The Multiple Object in Art, Monash University Gallery, Monash University, Melbourne, Australia. Colloquy, Centre for Contemporary Photography, Melbourne, Australia.
1996 Rumble, Underground Photography, Center for Contemporary Photography,Melbourne, Australia. Exactly, 200 Gertrude Street, Melbourne, Australia. The Art of Collecting #2, Artists Photographs, Linden Gallery, Melbourne, Australia. Working in Collaboration, Westspace, Melbourne, Australia.
1995 Decadence, Ten Years of Exhibitions, 200 Gertrude Street, Melbourne, Australia. Steam, Salon Exhibition, Fringe Festival, Stop 22, St.Kilda, Melbourne, Australia. 5 days, 25 artists, Installation, 41 Gold Street, Melbourne, Australia
1994 Masters Exhibition, Faculty Gallery, RMIT, Melbourne, Australia. Works on Paper, Australian Contemporary Artists, RMIT Gallery, Melbourne, Australia. 1992 Domino 1 (Exhibition of Collaborative Works), The Ian Potter Gallery of Contemporary Art, The University of Melbourne, Melbourne, Australia. Art-Tech, Next Wave Festival, National Gallery of Victoria, Melbourne Sea and City, Blaxland Gallery, Melbourne, Australia. Works on Paper, Australian Contemporary Artists, RMIT Gallery, Melbourne, Australia.
1991 Platform, Installation Space, Spencer Street Railway Station, Melbourne, Australia.
PAGE ART Westpac Private Bank Insight, winter 2003, p. 12 Art & Australia, Vol. 44 No. 3, Autumn 2007, front cover and frontspiece
PUBLICATIONS 2003 - Louise Weaver selected works – 1999 to 2003 presented by Scanlan and Theodore, Published by Scanlan and Theodore, Melbourne, 2003 2005 - No Small Wonder, Darren Knight Gallery and Louise Weaver 2007 - Out of this World, Darren Knight Gallery and Louise Weaver 2008 - Secrets are for keeping, Melbourne Art Fair, Darren Knight Gallery and Louise Weaver
COMMISSIONS
1992-93 Commissioned by Monash University to contribute to a limited edition book of prints - Travasare 2 - a joint project with the Australian Print Workshop for the Centre for the Development of Artists Books and Limited editions (CDAB)
2007 Commissioned by Art & Australia to create a sculpture, limited edition hand-embroidered cover and limited edition screen printed bag containing poster, collaborative zine and collaborative poster, to accompany Art & Australia volume 44, number 3.
GRANTS & AWARDS
2009 - Australia Council Visual Arts Board, New York Studio Residency, USA 2009 - Australian Tapestry Workshop Studio Residency, Melbourne, Australia 2007 - Australian Print Workshop Venice Studio Residency, Italy 2003 - The Cicely and Colin Rigg Contemporary Design Award, Australia 2003 - Australian Print Workshop Collie Print Trust Inaugural Fellowship 1999 - Arts 21 International Export and Touring Program, Arts Victoria 1998 - Australia Council Visual Arts/Craft Fund Grant
COLLECTIONS Art Gallery of New South Wales Queensland Art Gallery, Brisbane, Australia National Gallery of Victoria, Melbourne, Australia Museum of Contemporary Art, Sydney, Australia National Gallery of Australia, Canberra, Australia Monash University Collection, Melbourne, Australia Chartwell Collection, Auckland Art Gallery, New Zealand Artbank, Sydney & Melbourne, Australia Malaysian Institute of Management, Kuala Lumpur, Malaysia Dubbo Regional Art Gallery, Australia Wollongong University Collection, Australia The Michael Buxton Contemporary Australian Art Collection, Melbourne, Australia
BIBLIOGRAPHY Anderson, J. Undermining our assumptions, review, Leader-Post, Regina, Canada, 19 July 2001
Andrews, M. Rent, preview, Contemporary Visual Arts, Issue 29, 2000
Angeloro, D. It’s chaos, Sydney Morning Herald, 14-20 January, 2005
Angeloro, D. Wild at art, Metro, Sydney Morning Herald, 20 – 26 May 2005
Angeloro, D. Get the lead out, Metro, Sydney Morning Herald, 5-11 August 2005
Artbank, Artbank Celebrating 25 Years of Australian Art, Exhibition Catalogue, 2006
Backhouse, M. Louise Weaver, The Age Melbourne Magazine, Issue #11, September 2005
Backhouse, M. Fabricated fantasy offers a glimpse of the future, News & Reviews Metro: The Age Thursday 13 July 2006 p.19
Barber, K. Louise Weaver in conversation with Kate Barber, online catalogue for The Enchanted Forest, a Geelong Gallery and NETS Victoria touring exhibition, http://www.netsvictoria.org/enchanted/pdf/INTERVIEWS-Enchanted_Forest.pdf, published 2008
Barclay, A. Weaver of Magic, Herald Sun, 13 September 1999
Barclay, A. Sculpture gardens to double in size, Herald Sun 30 June 2006
Barclay, A. 2020 Visionaries, Herald Sun, 8 January 2000
Beaumont, L. Uncommon Threads. The Age, A2 page. 21, Saturday, August 9 2008
Bizys, E. Art & events, Vogue Living May / June 2007, p. 80
Black, M. The Moet and Chandon Touring Exhibition 1997, National Gallery of Victoria, 16 April- 12 May, Like Magazine, No3 Winter 1997
Blunden, J. Curious Colony – A twenty first century Wunderkammer, Newcastle Region Art Gallery, New South Wales, Australia, 2010 Bruce-Rosser, K. Roo Bound to Impress, Stonnington Leader, Melbourne, December 2009 Buttery, H. Manufacturing Nature, Wildlife: a field guide to the post-natural, Toronto National Post, 15 July 2000
Bush, S &Hill, P. Hot in Melbourne, Review Exhibitions, Art World, Page 121, Oct/Nov 2008.UK Edition.
Cass, N. Parallax Error, Artlink, Australian Contemporary Art Quarterly. Vol 19 #1 1999
Cass, N. Watermark, catalogue essay, People, Places, Pastimes, Changing Perspectives of Ipswich, Global Arts Link Ipswich, Queensland
Cavanagh, A. In the frame, Vogue Australia, p.73, August 2008 Cininas, J. The enchanted forest – new gothic storytellers’ exhibition catalogue, Geelong Gallery, Victoria, Australia, 2008 Chu, I. Field Guide, review, Canadian Art, Winter 2000
Clabburn, A. Warmth and Richness of Crafty Installations, The Age, 22 April 1998
Clabburn, A. Trappings of success, review, The Australian, 17 November 2000
Coslovich, G. ACCA show a testimony to diversity of young artists, The Age, 21 March 2003
Coslovich, G. Fair paints picture of healthy art mart, The Age Tuesday 5 August 2008, p. 16
Crawford, A. Dream Weaver, The Age 17 September 2005
Creagh, S. Monsters out to play on childhood fears, Sydney Morning Herald 17 May 2005
Crone, B. Moonlight Becomes You, New03 exhibition catalogue, Australian Centre for Contemporary, ACCA, Melbourne, Australia
Dault, G.M. Animal Magnetism in a Post-Natural World, review, Toronto Globe and Mail, 22 July 2000 Day, C & Tutton, S. Before and After Science, 2010 Adelaide Biennale of Australian Art, Art Gallery of South Australia, Adelaide. 2010. Day, C. Loop, A short ride in a fast machine – Gertrude contemporary art spaces 1985 – 2005, Melbourne: Black Inc, 2005. p68
Day, C. Louise Weaver: I have a small yellow bird in my ear that sings, A short ride in a fast machine – Gertrude contemporary art spaces 1985 – 2005. Melbourne: Black Inc, 2005. pp80-81
Desmond, M. Louise Weaver: No small wonder, Art Asia Pacific No. 48 Spring 2006
Ed. Galleries, The Age magazine 16 July 2006, p. 26
Ed. Weaving her magic, Imprint magazine p.70
Ed. The big weekend, Herald Sun 14-16 July 2006
Ed. Inspired by a children’s classic, The Reader #98 June 2005
Ed. Gallery news, Sun Herald 22 May 2005
Ed. Where the wild things are, The Sydney Magazine, Sydney Morning Herald May 2005
Ed. Where the wild things are, Australian Art Review 2005
Ed. Profiles, Art Almanac May 2005
Ed. Rest of the world, The Art Newspaper No. 162, Oct 05
Ed. Brushstrokes, The Brag June 2007
Errey, Dr.S. I have a small yellow bird in my ear that sings, catalogue essay, 200 Gertrude Street, Melbourne, 1997
Gardiner, S. Big Bang Theory, Recent Chartwell Acquisitions, Gallery News, Auckland Art Gallery, 2002
Garneau, D. Wildlife: A Field Guide to the Post Natural, review, Border Crossings, 2001
Gates, M. Domino 1, exhibition catalogue, The University of Melbourne, 1992 Geczy,A. Crypto-realism. Bittersweet: Contemporary Australian Art at the Art Gallery of New South Wales, review, Art Monthly, July 2002, Number 151.
Gibson, J. Australian Perspecta 1997, review, art/text, no.59 Nov 1997-Jan 1998.
Gibson, P. Beastly Tales, Vogue Australia, March 2009 p.112 Glass, A. Sewn Up, Oyster, Issue 36, June/July 2001
Gomes, M. New03, broadsheet, vol.32, no. 2, June, July, August 2003
Gordon, A. The Hottest Knots, Vogue Living, May/June 2005.
Green, C. Louise Weaver, Darren Knight Gallery, Art Forum International Magazine, February 1998
Hansen, D. Sightlines Critical Guide: Dream a little seam, The Age Friday 14 July 2006, p.17
Hart, D. Home Sweet Home: an artist-collector’s passion, Home Sweet Home: Works from the Peter Fay collection, exhibition catalogue, National Gallery of Australia, Canberra, Australia, 2003
Heagney, D. Where the wild things are, review, Pages, online magazine, http://www.pagesonline.it/issueseventeen/pages_issueseventeen.html
Hill. P. Sculptor captures animators’ dreams running off the page, Sydney Morning Herald, 3 October 2001.
Hill, P. There be giants…and little things too, exhibition review, Sydney Morning Herald, 17 July 2002
Hill, P. & Bush, S. The 2008 Melbourne Art Fair, Art World Issue 5 October / November 2008, Australia/New Zealand edition. p. 182
Hjorth, L. Louise Weaver, catalogue essay, Westspace, Melbourne 1995
Hjorth, L. Mortgage, review, Broadsheet, Volume 29/4, Contemporary Art Centre of South Australia, Adelaide, December 2000
Hodder, R. Threads of an idea, The Age, 1999
Jennison, L. Australian Paper Art Awards 2001, catalogue entry, Victorian Arts Centre, Melbourne, 2001
Johnson, F. Crazy Critters, The Age, page 17, Friday August 1 2008
Kent, R. Louise Weaver in conversation with Rachel Kent, Art & Australia, Vol. 44 No. 3, Autumn 200,7 pp. 412 – 413
Kent, R. Louise Weaver, Art and Australia Vol 43 No 3 Autumn 2006
Kent, R. Deacons Graham and James/Arts 21 Award, exhibition catalogue, Melbourne University
Kent, R. Artists and collections: A Working Partnership, Artlink, Australian Contemporary Art Quarterly, Vol. 19#1, 1999
Kidd, C. Weaving distortion, Art Monthly Australia June 2007 #200, p. 52
Koop, S. Nice Touch, art/text, no.59, Nov 1997 – Jan 1998.
Koop, S. Louise Weaver, catalogue essay, Contempora 5, National Gallery of Victoria and Ian Potter Museum of Art, Melbourne 1999
Koop, S. Louise Weaver, catalogue essay, Ojeblikket: Magazine for Visual Culture, Special Issue #3 vol.10, Rent, 2000
Koop, S. Gulliver’s Travels, catalogue notes, Contemporary Art Services of Tasmania, 2002.
Koop, S. Crackle, Contemporary Art From the Middle of Nowhere, Institute of Modern Art, Brisbane, 2008 Kunda, M. From the bottom, with feeling, Broadsheet, vol.31,no. 3, Sept-Nov. 2002
Larkin, A. Going, going, gone, Vogue Living, May/June 2005
Laviolette, M. Textiles define the fabric of art, review, Calgary Herald, 22 December 2001
Lawes, Antony, The Planner, Sydney Morning Herald, 28 Feb – 1 March 2009 Low, L. 10 things to do, Sydney Morning Herald Spectrum 21 May 2005
Low, L. See, Sydney Morning Herald Spectrum 21 May 2005
Loxley, A. A worthwhile chance with exquisite beauty in Weaver’s world, The Sydney Morning Herald, 7 October 2003
Loxley, A. Mixed media in frame, The Sydney Morning Herald, 31 December 2003
Luffman, A. Wildlife: A Field Guide to the Post-Natural, review, Lola 8, Winter 2000-2001
Lunn, J. Catwalk diversions, Fashion Police, Good Living; Sydney Morning Herald, 11 November 2003
Magner, B. Louise Weaver, Australian Print Workshop Collie Print Trust Fellow Brochure, 2004
Mateer, J. Naturalisation: Recent Australian art and the natural, Art Monthly, Dec 2001-Feb 2002, No. 146.
McDonald, A. Where the wild things are, State of the arts 25 May 2005
McDonald J. Happy wonderers, Spectrum, The Sydney Morning Herald, 5-6 February 2005
McDonald, J. Sowing Seeds of a New Vision, The Sydney Morning Herald, 23 August 1997
McDonald, J. Treasures from a curious chest, The Sydney Morning Herald, 7-8 August 2010 McElroy, G. Wildlife, review, Fibrearts, Sept/Oct, 2001
McKenzie, R. Fashion with a Natural Finish, The Herald-Sun, 17 November 1997
McKenzie, R. Bags of Couture, The Age, 22 November 1995
McKenzie, R. From Blockbusters like Matisse, to the intriguing work of Louise Bourgeois, to the influence of technology, women still firmly in the picture, The Age, 27 December 1995
Mark, L.G. Wildlife: A Field Guide to the Post Natural & Louise Weaver, catalogue essays, Wildlife: A Field Guide to the Post Natural, The Museum for Textiles, Toronto, Canada 2000
Michael, L. Australian Perspecta; Between Art and Nature, exhibition catalogue, Museum of Contemporary Art, Sydney 1997
Murray, K. Transformations; Digital Imaging and the Art Object, RMIT Gallery, Museum of Contemporary Art, Sydney 1997, Melbourne 11 July – 9 August 1998, Like No.7 Summer 1998-99
Nelson, R. An Installation of Authority, The Age, 16 April 1997
Nelson, R. Someone else’s home is where this art is, review, The Sunday Age, 3 September 2000
Nelson, R. Seeing is believing, review, The Age, 24 November 2000
Nelson, R. Volume & Space, review, The Age, 7 March 2001
O’Dea, M. Local Heroes, Vive, Spring 2000
Osborne, C. Wildlife: A Field Guide to the Post-Natural, review, Ontario Craft, 2000
Pierini, E. Loop, catalogue essay, 200 Gertrude Street, Melbourne 1998
Porter, G. The Crystal Chain Gang: Prismatic Geometry in Recent Art, Auckland Art Gallery, Toi o Tamaki, New Zealand, review, Eyeline Contemporary Visual Arts, Number 43, Spring 2000
Powell, S. Live Fast, buy young, have a good looking wall, The Australian Arts Review, 11-12 November 2000
Rooney, R. When Friendship Enters the Picture, Weekend Australian, 1-2 August 1992
Slade, L. Art on the rebound, Art Monthly Australia, #216 Bumper Summer Issue: December 2008 - February 2009, pp. 11-13
Smee, S. Australia’s champion of the outsider, The Art Newspaper, no.141, November 2003
Smee, S. Dot complimentary, Weekend Australian Review, 9-10 September 2006, pp.18-19
Smith, A. Things Extreme and Scattering Bright, The Crystal Chain Gang: Prismatic Geometry in Recent Ar’t, catalogue essay, Auckland Art Gallery, New Zealand 2000.
Smith, J. Unhomely House, Unhomely Universe, catalogue essay, Unhomely, Art Sonje Centre, Seoul, Korea, Asia Link Centre and the National Gallery of Victoria 1998
Smith, J. Weaver by Name and by Nature, Real Time, Feb/March No.21 1998
Smith, J. An imaginary realm of post-natural beings, Art & Australia, Vol. 44 No. 3, Autumn 2007, pp. 404 – 411
Somerville, K. Cecily & Colin Rigg Contemporary Design Award, catalogue, National Gallery of Victoria, 2003
Stanhope, Z. Multiplication: The Multiple Object in Art, catalogue essay, Monash University Gallery, Monash University 1998
Stanhope, Z. Everlasting, catalogue essay, Hothouse, Monash University Museum of Art, May 2003
Stowell, J. The world around us, Weekender 2 April 2005
Strahan, L. New and Unexpected, Melbourne magazine, issue 6, April 2003
S´witek, G. And Who So Happy?, Broadsheet June- August 2006, pp. 90 – 93
Timms, P. Eyes averted, but still on the prize, review, The Age, 21 September 1999
Travis, L. Hot Prospects, Vogue Australia, February 2001
Tunnicliffe, W. Bittersweet, catalogue essay, Art Gallery of New South Wales, 2002
Tunnecliffe, W. Wilderness: Balnaves contemporary painting Art Gallery of New South Wales, Sydney, Australia, 2010 van der Laar, M. Artoteek – Louise Weaver, De Overkant/Down Under – Den Haag Sculptuur 07, Den Haag Sculptuur, The Hague, 2007, pp. 138-139.
Vida, S. Wildlife exhibit in Banff marked by irony, review, Fast Forward, Jan 10 –16 2002
Walker, W. Strange wanderings, The Advertiser, Saturday,8 March 2003
Waterlow, N. The Creation of Contemporary Australian Art. Current, Contemporary Art From Australia and New Zealand. Edited by Art and Australia. Weaver, L. Artist’s statement, ABC TV website http://www.abc.net.au/tv/yours/artists/weaver.htm
Webb, P. Weaver’s world: red in tooth and claw Wellington, R. A Stitch in Time, Art Market Report, Page 30, Issue 30, Fourth Quarter 2008
|
|||