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1966 Born Mansfield, Victoria, Australia

EDUCATION

1986-88 Royal Melbourne Institute of Technology, Faculty of Art, Design and Communication.
Bachelor of Arts, Painting
1992-96 Royal Melbourne Institute of Technology, Faculty of Art, Design and Communication.
Masters of Arts, Painting

Currently lectures in School of Art and Culture at RMIT, Melbourne

SELECTED SOLO EXHIBITIONS

2007
Out of this world, Darren Knight Gallery, Sydney, Australia

2006
Taking a chance on love – Selected works 1990-2006, McClelland Gallery and Sculpture Park, Victoria, Australia

2005
No Small Wonder, Silvershot, Melbourne, Australia

2004
Australian Print Workshop Gallery, Melbourne, Australia

2003
Michael Lett, Auckland, New Zealand
Taking a Chance on Love, Darren Knight Gallery, Sydney, Australia
Moonlight Becomes You, City Gallery Wellington, New Zealand and Dunedin Public Art Gallery, Dunedin New Zealand
Louise Weaver selected works – 1999 to 2003, presented by Scanlan and Theodore, GPO Melbourne, Australia

2001
Make Believe, Darren Knight Gallery, Sydney, Australia.

1999
Darren Knight Gallery, Sydney, Australia.

1997
Darren Knight Gallery, Sydney, Australia.
I have a small yellow bird in my ear that sings, 200 Gertrude Street,
Melbourne, Australia.

1996
Stephen McLaughlan Gallery Melbourne, Australia.
Blossoms of the snow are always six-pointed, Faculty Gallery, RMIT,
Melbourne, Australia.

1995
Westspace, Melbourne, Australia.

1993
The Open Studio, Studio exhibition, Greene Street, New York City, USA.

SOLO EXHIBITIONS - GROUP EXHIBITIONS -BIBLIOGRAPHY -PAGE ART - AWARDS & RESIDENCIES -COLLECTIONS -TOP

SELECTED GROUP EXHIBITIONS

2007
DE OVERKANT/DOWN-UNDER, The Hague Sculpture, The Netherlands
Love Chief, Auckland Art Gallery, Auckland, New Zealand
Voiceless – I feel therefore I am, Sherman Galleries, Sydney Australia

2006
Yours, Mine & Ours, 50 years of ABC TV, Campbelltown Arts Centre, Sydney
High Tide, Zacheta National Gallery of Art, Warsaw, Poland &  the Contemporary Art Centre, Vilnius, Lithuania
Artbank Celebrating 25 Years of Australian Art Touring exhibition, Australia
The Armory Show Art Fair, New York, USA
X Marks the Spot RMIT School of Art Gallery, Melbourne, Australia
Animals as allegory QUT Art Museum, Queensland, Australia
Multiplicity: Prints and Multiples Museum of Contemporary Art, Sydney Australia and tour to regional Australian galleries

2005
Unstrung-the bead in contemporary art, Latrobe Regional Gallery, Victoria, Australia
The Grey Voice - contemporary Australian drawing, Tin Sheds Gallery, Sydney Australia
Where the Wild Things Are, UTS Gallery, Sydney, Australia
After Nature, Lake Macquarie City Gallery, Lake Macquarie, New South Wales, Australia
The Butterfly Effect, Australian Museum, Sydney

2004
Mind’s Eye, Hazelhurst Regional Gallery and Arts Centre, Sydney

2003-2004
Home Sweet Home: Works from the Peter Fay Collection, National Gallery of Australia, Canberra; touring
Art Australia, touring Germany: Kunst:Raum Sylt-Quelle, Gallerie Seippel, Köln, Stätische Gallerie, Delmenhorst, Germany
Hothouse: the Flower in Contemporary Art, touring: State Library of Victoria; Geelong Art Gallery; Gippsland Art Gallery; Victoria; McCelland Art Gallery, Victoria, Australia
Home and Away; Place and identity in recent Australian Art,; touring: Shepparton Art Gallery, Vic; Newcastle Region Art Gallery, NSW; University of Queensland; Faculty Gallery, Faculty of Art & Design, Monash University Museum of Art, Melbourne; Swan Hill Regional Art Gallery, Vic
A Modelled World, McClelland Gallery + Sculpture Park, Victoria

2003
The future in every direction: Celebrating the Joan Clemenger Endowment for Contemporary Art, National Gallery of Victoria, Melbourne, Australia
New 03, Australian Centre for Contemporary Art, Melbourne, Australia
The Cicely and Colin Rigg Contemporary Design Award, The National Gallery
of Victoria, The Ian Potter Centre, Federation Square, Melbourne, Australia
Fieldwork: Australian Art 1968-2002, The National Gallery of Victoria, The Ian Potter Centre, Federation Square, Melbourne, Australia

2002-2004
Material Witness, touring exhibition, Tamworth City Gallery, NSW, Mornington Peninsula Regional Gallery, VIC., QUTCultural Precinct Art Museum, Brisbane, Campbelltown City Bicentennial Art Gallery, NSW, Port Pirie Regional Art Gallery, SA, Tweed River Regional Art Gallery, NSW, John Curtin Gallery, WA., Queen Victoria Museum and Art Gallery, TAS, Australia
Many in One: Place and Identity in recent Australian art, Monash University Museum of art touring exhibition: Shepparton Art Gallery, Shepparton, Victoria, Newcastle Region Art Gallery, Newcastle, New South Wales, Queensland University Art Museum, Brisbane, Queensland, Faculty Gallery, Monash University, Swan Hill Regional Gallery, Swan Hill, Victoria

2002-2003
Gulliver’s Travels, touring exhibition, College of Fine Arts, Sydney; Monash University Museum of Art, Melbourne; Institute of Modern Art, Brisbane; Canberra Contemporary Art Space, Canberra; Contemporary Art Centre of South Australia, Adelaide and Perth Institute of Contemporary Art, Perth.
2002 People, Places + Ideas, Celebrating Four Decades of the Monash University Collection, Monash University Museum of Art, Victoria, Australia
Wildlife, Australian Print Workshop Gallery, Melbourne, Australia
Bitter Sweet, Art Gallery of NSW, Sydney, Australia
Stitching: An Artisan Approach, Project Space and Spare Room, RMIT, Melbourne, Australia
Big Bang Theory; Recent Chartwell Acquisitions, Auckland Art Gallery, Auckland, New Zealand

2001-2002
Australian Paper Art Awards, The George Adams Gallery, Melbourne; Artspace, Adelaide Festival Centre; UTS Gallery, University of Technology, Sydney, Australia

2000- 2002
Wildlife – A Field Guide to the Post-Natural, Textile Museum of Canada, Toronto, London Regional Art and Historical Museums, Dunlop Art Gallery, Regina, Saskatchewan, Canadian Craft Museum, Vancouver, British Columbia, Walter Phillips Gallery, Banff, Alberta, Canada.

2001
Black/White & Grey, Darren Knight Gallery, Sydney
The sparkling white wine sailor cat AND cormorant friend Leon, project space, RMIT, Melbourne, Australia
Low-down, recent acquisitions, Monash University Gallery, Melbourne, Australia
Our Place; issues of identity in recent Australian art, Monash Centre, Prato, Italy
Alive! Still Life into the twenty-first century, Adam Art Gallery, Wellington, New Zealand

2000-2001
Lightfingered,Plimsoll Gallery, Hobart and touring throughout regional Australia

2000
Liberty, RMIT Gallery, RMIT, Melbourne, Australia.
The Retrieved Object, Linden Arts & Gallery, Melbourne, Australia
Rent, Overgaden, Copenhagen, Denmark and ACCA, Melbourne, Australia.
The Crystal Chain Gang – prismatic geometry in recent art, Auckland Art Gallery, New Zealand.
Works on paper, Sung Shin Museum, Sung Shin University, Seoul, Korea.
The Exquisite Corpse, Bendigo Art Gallery, Bendigo, Australia. All creatures great and small, Old Treasury Building, Melbourne, Australia.

1999
People, Places, Pastimes: Changing perspectives of Ipswich, Global Arts Link, Ipswich, Australia.
Emblematic, Smith and Stoneley, Brisbane, Australia.
Works on Paper by Contemporary Australian Artists, Seoul National University, Seoul, Korea.
Contempora 5, The Ian Potter Museum of Art, The University of Melbourne, Australia.

1998
Eyedream, Grainger Museum, The University of Melbourne, Australia.
Unhomely, Art Sonje Center, Seoul, Korea.
Metamorphosis, Mornington Peninsula Regional Gallery, Victoria, Australia
Loop, touring exhibition, initiated by 200 Gertrude Street, Melbourne, Australia.
Ecologies of Place and Memory, University Gallery, University of Tasmania, Plimsoll Gallery, Centre for the Arts, Hobart, Tasmania.
National Works on Paper, Mornington Peninsula Regional Gallery, Australia.
Transformations, RMIT Gallery, Melbourne, Australia.
Taken, Project Space, RMIT, Melbourne, Australia.

1997
1997 Moet & Chandon Touring Exhibition, Queensland Art Gallery, National Gallery of Victoria, Art Gallery, of Western Australia, Art Gallery of New South Wales, Art Gallery of South Australia.
Deacon Graham and James/Arts 21 Award, Museum of Art, Melbourne University, Melbourne, Australia.
Australian Perspecta 1997; Between Art and Nature, Museum of Contemporary Art, Sydney, Australia.
Multiplication: The Multiple Object in Art, Monash University Gallery,
Monash University, Melbourne, Australia.
Colloquy, Centre for Contemporary Photography, Melbourne, Australia.

1996
Rumble, Underground Photography, Center for Contemporary Photography,
Melbourne, Australia.
Exactly, 200 Gertrude Street, Melbourne, Australia.
The Art of Collecting #2, Artists Photographs, Linden Gallery, Melbourne, Australia.
Working in Collaboration, Westspace, Melbourne, Australia.

1995
Decadence, Ten Years of Exhibitions, 200 Gertrude Street, Melbourne, Australia.
Steam, Salon Exhibition, Fringe Festival, Stop 22, St.Kilda, Melbourne, Australia.
5 days, 25 artists, Installation, 41 Gold Street, Melbourne, Australia

1994
Masters Exhibition, Faculty Gallery, RMIT, Melbourne, Australia.
Works on Paper, Australian Contemporary Artists, RMIT Gallery, Melbourne, Australia.

1992
Domino 1 (Exhibition of Collaborative Works), The Ian Potter Gallery of Contemporary Art, The University of Melbourne, Melbourne, Australia.
Art-Tech, Next Wave Festival, National Gallery of Victoria, Melbourne
Sea and City, Blaxland Gallery, Melbourne, Australia.
Works on Paper, Australian Contemporary Artists, RMIT Gallery, Melbourne, Australia.

1991
Platform, Installation Space, Spencer Street Railway Station, Melbourne, Australia.

SOLO EXHIBITIONS - GROUP EXHIBITIONS -BIBLIOGRAPHY -PAGE ART - AWARDS & RESIDENCIES -COLLECTIONS -TOP

SELECTED BIBLIOGRAPHY

Anderson, J. ‘Undermining our assumptions’, review, Leader-Post, Regina, Canada, 19 July 2001
Andrews, M. Rent, preview, Contemporary Visual Arts, Issue 29, 2000
Angeloro, D. ‘It’s chaos’, Sydney Morning Herald, 14-20 January, 2005
Angeloro, D. ‘Wild at art’ Metro, Sydney Morning Herald, 20 – 26 May 2005
Angeloro, D. ‘Get the lead out’, Metro, Sydney Morning Herald, 5-11 August 2005
Artbank, Artbank Celebrating 25 Years of Australian Art Exhibition Catalogue, 2006
Backhouse, M. ‘Louise Weaver’, The Age Melbourne Magazine, Issue #11, September 2005
Backhouse, M. ‘Fabricated fantasy offers a glimpse of the future’ News & Reviews Metro: The Age Thursday 13 July 2006 p.19
Barclay, A. ‘Weaver of Magic’, Herald Sun, 13 September 1999
Barclay, A. ‘Sculpture gardens to double in size’ Herald Sun 30 June 2006
Barclay, A. ‘2020 Visionaries’, Herald Sun, 8 January 2000
Black, M. ‘The Moet and Chandon Touring Exhibition 1997’, National Gallery of Victoria,     16 April-12 May, Like Magazine, No3 Winter 1997
Buttery, H. ‘Manufacturing Nature, Wildlife: a field guide to the post-natural’, Toronto National Post, 15 July 2000
Cass, N. ‘Parallax Error’, Artlink, Australian Contemporary Art Quarterly. Vol 19 #1 1999
Cass, N. ‘Watermark’, catalogue essay, People, Places, Pastimes, Changing Perspectives of Ipswich, Global Arts Link Ipswich, Queensland
Chu, I ‘Field Guide’, review, Canadian Art, Winter 2000
Clabburn, A. ‘Warmth and Richness of Crafty Installations’, The Age, 22 April 1998
Clabburn, A. ‘Trappings of success’, review, The Australian, 17 November 2000
Coslovich, G. ‘ACCA show a testimony to diversity of young artists’, The Age, 21 March 2003
Crawford, A. ‘Dream Weaver’ The Age 17 September 2005
Creagh, S. ‘Monsters out to play on childhood fears’ Sydney Morning Herald 17 May 2005
Crone, B. ‘Moonlight Becomes You’, New03 exhibition catalogue, Australian Centre for Contemporary, ACCA, Melbourne, Australia
Dault, G.M. ‘Animal Magnetism in a Post-Natural World’, review, Toronto Globe and Mail, 22 July 2000
Day, C. ‘Loop’ A  short ride in a fast machine – Gertrude contemporary art spaces 1985 – 2005. Melbourne: Black Inc, 2005. p68
Day, C. ‘Louise Weaver: I have a small yellow bird in my ear that sings’ A  short ride in a fast machine – Gertrude contemporary art spaces 1985 – 2005. Melbourne: Black Inc, 2005. pp80-81
Desmond, M. ‘Louise Weaver: No small wonder’ Art Asia Pacific No. 48 Spring 2006
Ed. ‘Galleries’ The Age magazine 16 July 2006, p. 26
Ed. ‘Weaving her magic’ Imprint magazine p.70
Ed. ‘The big weekend’ Herald Sun 14-16 July 2006
Ed. ‘Inspired by a children’s classic’ The Reader  #98 June 2005
Ed. ‘Gallery news’ Sun Herald 22 May 2005
Ed. ‘Where the wild things are’ The Sydney Magazine, Sydney Morning Herald May 2005
Ed. ‘Where the wild things are’ Australian Art Review 2005
Ed. ‘Profiles’ Art Almanac May 2005
Ed. ‘Rest of the world’ The Art Newspaper No. 162, Oct 05
Errey, Dr.S. ‘I have a small yellow bird in my ear that sings’, catalogue essay, 200 Gertrude Street, Melbourne, 1997
Gardiner, S. ‘Big Bang Theory, Recent Chartwell Acquisitions’, Gallery News, Auckland Art Gallery, 2002
Garneau, D ‘Wildlife: A Field Guide to the Post Natural’, review, Border Crossings, 2001
Gates, M. ‘Domino 1’, exhibition catalogue, The University of Melbourne, 1992
Geczy,A. ‘Crypto-realism. Bittersweet: Contemporary Australian Art at the Art Gallery of New South Wales’, review, Art Monthly, July 2002, Number 151.
Gibson, J. ‘Australian Perspecta 1997’, review, art/text, no.59 Nov 1997-Jan 1998.
Glass, A. ‘Sewn Up’, Oyster, Issue 36, June/July 2001
Gomes, M. ‘New03, broadsheet, vol.32, no. 2, June, July, August 2003
Gordon, A. ‘The Hottest Knots’, Vogue Living, May/June 2005.
Green, C. ‘Louise Weaver, Darren Knight Gallery’, Art Forum International Magazine, February 1998
Hansen, D. ‘Sightlines Critical Guide: Dream a little seam’ The Age Friday 14 July 2006, p.17
Hart, D. ‘Home Sweet Home: an artist-collector’s passion’, Home Sweet Home: Works from the Peter Fay collection exhibition catalogue, National Gallery of Australia, Canberra, Australia, 2003
Heagney, D. ‘Where the wild things are’, review, Pages,  online magazine, http://www.pagesonline.it/issueseventeen/pages_issueseventeen.html
Hill. P ‘Sculptor captures animators’ dreams running off the page’, Sydney Morning Herald, 3 October 2001.
Hill, P. ‘There be giants…and little things too’, exhibition review, Sydney Morning Herald, 17 July 2002
Hjorth, L. ‘Louise Weaver’, catalogue essay, Westspace, Melbourne 1995
Hjorth, L. ‘Mortgage’, review, Broadsheet, Volume 29/4, Contemporary Art Centre of South Australia, Adelaide, December 2000
Hodder, R. ‘Threads of an idea’, The Age, 1999
Jennison, L. ‘Australian Paper Art Awards 2001’, catalogue entry, Victorian Arts Centre, Melbourne, 2001
Kent, R. ‘Louise Weaver in conversation with Rachel Kent’ Art & Australia Magazine, Vol. 44 No. 3, Autumn 2007 pp. 412 - 413
Kent, R. ‘Louise Weaver’ Art and Australia Vol 43 No 3 Autumn 2006
Kent, R. ‘Deacons Graham and James/Arts 21 Award’, exhibition catalogue, Melbourne University
Kent, R. ‘Artists and collections: A Working Partnership’, Artlink, Australian Contemporary Art Quarterly, Vol. 19#1, 1999
Koop, S. ‘Nice Touch’, art/text, no.59, Nov 1997 – Jan 1998.
Koop, S. ‘Louise Weaver’, catalogue essay, Contempora 5, National Gallery of Victoria and Ian Potter Museum of Art, Melbourne 1999
Koop, S ‘Louise Weaver’, catalogue essay, Ojeblikket: Magazine for Visual Culture, Special Issue #3 vol.10, ‘Rent’, 2000
Koop, S. ‘Gulliver’s Travels’, catalogue notes, Contemporary Art Services of Tasmania, 2002.
Kunda, M. From the bottom, with feeling, Broadsheet, vol.31,no. 3, Sept-Nov. 2002
Larkin, A. ‘Going, going, gone’, Vogue Living, May/June 2005
Laviolette, M. ‘Textiles define the fabric of art’, review, Calgary Herald, 22 December 2001
Low, L. ’10 things to do’ Sydney Morning Herald Spectrum  21 May 2005
Low, L. ‘See’ Sydney Morning Herald Spectrum 21 May 2005
Loxley, A. ‘A worthwhile chance with exquisite beauty in Weaver’s world’, The Sydney Morning Herald, 7 October 2003
Loxley, A. ‘Mixed media in frame’, The Sydney Morning Herald, 31 December 2003
Luffman, A. ‘Wildlife: A Field Guide to the Post-Natural’, review, Lola 8, Winter 2000-2001
Lunn, J. ‘Catwalk diversions’, Fashion Police, Good Living; Sydney Morning Herald, 11 November  2003
Magner, B. ‘Louise Weaver’ Australian Print Workshop Collie Print Trust Fellow Brochure, 2004
Mateer, J. ‘Naturalisation: Recent Australian art and the natural’, Art Monthly, Dec 2001-Feb 2002, Number 146.
McDonald, A. ‘Where the wild things are’ State of the arts 25 May 2005
McDonald J. ‘Happy wonderers’, Spectrum, The Sydney Morning Herald, 5-6 February 2005
McDonald, J. ‘Sowing Seeds of a New Vision’, The Sydney Morning Herald, 23 August 1997
McElroy, G. ‘Wildlife’, review, Fibrearts, Sept/Oct, 2001
McKenzie, R. ‘Fashion with a Natural Finish’, The Herald-Sun, 17 November 1997
McKenzie, R. Bags of Couture ', The Age, 22 November 1995
McKenzie, R. ‘From Blockbusters like Matisse, to the intriguing work of Louise Bourgeois, to the influence of technology, women still firmly in the picture’, The Age, 27 December 1995
Mark, L.G. ‘Wildlife: A Field Guide to the Post Natural & Louise Weaver’, catalogue essays, Wildlife: A Field Guide to the Post Natural, The Museum for Textiles, Toronto, Canada 2000
Michael, L. ‘Australian Perspecta; Between Art and Nature’, exhibition catalogue, Museum of Contemporary Art, Sydney 1997
Murray, K. ‘Transformations; Digital Imaging and the Art Object’, RMIT Gallery, Museum of Contemporary Art, Sydney 1997, Melbourne 11 July – 9 August 1998, Like Art Magazine No.7 Summer 1998-99
Nelson, R. ‘An Installation of Authority’, The Age, 16 April 1997
Nelson, R. ‘Someone else’s home is where this art is’, review, The Sunday Age, 3 September 2000
Nelson, R. ‘Seeing is believing’, review, The Age, 24 November 2000
Nelson, R. ‘Volume & Space’, review, The Age, 7 March 2001
O’Dea, M. ‘Local Heroes’, Vive, Spring 2000
Osborne, C. ‘Wildlife: A Field Guide to the Post-Natural’, review, Ontario Craft, 2000
Pierini, E. ‘Loop’, catalogue essay, 200 Gertrude Street, Melbourne 1998
Porter, G. ‘The Crystal Chain Gang: Prismatic Geometry in Recent Art, Auckland Art Gallery, Toi o Tamaki, New Zealand’, review, Eyeline Contemporary Visual Arts, Number 43, Spring 2000
Powell, S. ‘Live Fast, buy young, have a good looking wall’, The Australian Arts Review, 11-12 November 2000
Rooney, R. ‘When Friendship Enters the Picture’, Weekend Australian, 1-2 August 1992
Somerville, K. ‘Cecily & Colin Rigg Contemporary Design Award’, catalogue, National Gallery of Victoria, 2003
Smee, S. ‘Australia’s champion of the outsider’, The Art Newspaper, no.141, November 2003
Smee, S. ‘Dot complimentary’ Weekend Australian Review, 9-10 September 2006, pp.18-19
Smith, A. ‘Things Extreme and Scattering Bright, The Crystal Chain Gang: Prismatic Geometry in Recent Ar’t, catalogue essay, Auckland Art Gallery, New Zealand 2000.
Smith, J. ‘Unhomely House, Unhomely Universe’, catalogue essay, ‘Unhomely’, Art     Sonje Centre, Seoul, Korea, Asia Link Centre and the National Gallery of   Victoria 1998
Smith, J. ‘Weaver by Name and by Nature’, Real Time, Feb/March No.21 1998
Smith, J. ‘An imaginary realm of post-natural beings’ Art & Australia Magazine, Vol. 44 No. 3, Autumn 2007, pp. 404 - 411
Stanhope, Z. ‘Multiplication: The Multiple Object in Art’, catalogue essay, Monash University Gallery, Monash University 1998
Stanhope, Z. ‘Everlasting’, catalogue essay, Hothouse, Monash University Museum of Art, May 2003
Stowell, J. ‘The world around us’ Weekender 2 April 2005
Strahan, L. ‘New and Unexpected’, Melbourne magazine, issue 6, April 2003
S´witek, G. ‘And Who So Happy?’ Broadsheet June- August 2006, pp. 90 - 93
Timms, P ‘Eyes averted, but still on the prize’, review, The Age, 21 September 1999
Travis, L. ‘Hot Prospects’, Vogue Australia, February 2001
Tunnicliffe, W ‘Bittersweet’, catalogue essay, Art Gallery of New South Wales, 2002
Vida, S ‘Wildlife exhibit in Banff marked by irony’, review, Fast Forward, Jan 10 –16 2002
Walker, W. Strange wanderings, The Advertiser, Saturday,8 March 2003
Weaver, L. Artist’s statement, ABC TV website http://www.abc.net.au/tv/yours/artists/weaver.htm
Webb, P. ‘Weaver’s world: red in tooth and claw’

SOLO EXHIBITIONS - GROUP EXHIBITIONS -BIBLIOGRAPHY -PAGE ART - AWARDS & RESIDENCIES -COLLECTIONS -TOP

PAGE ART

Westpac Private Bank Insight, winter 2003, p. 12
Art & Australia Magazine, Vol. 44 No. 3, Autumn 2007, front cover and frontspiece

PUBLICATIONS

2003 Louise Weaver selected works – 1999 to 2003 presented by Scanlan and Theodore, Published by Scanlan and Theodore, Melbourne, 2003

2003 The Cicely and Colin Rigg Contemporary Design Award, Australia
1999 Arts 21 International Export and Touring Program, Arts Victoria
1998 Australia Council Visual Arts/Craft Fund Grant

COMMISSIONS

1992-93 Commissioned by Monash University to contribute to a limited edition book of prints - Travasare 2 - a joint project with the Australian Print Workshop for the Centre for the Development of Artists Books and Limited editions (CDAB)

2007 Commissioned by Art & Australia Magazine to create a sculpture, limited edition hand-embroidered cover and limited edition screen printed bag containing poster, collaborative zine and collaborative poster, to accompany Art & Australia Magazine volume 44, number three

COLLECTIONS

Queensland Art Gallery, Brisbane, Australia
National Gallery of Victoria, Melbourne, Australia
Museum of Contemporary Art, Sydney, Australia
National Gallery of Australia, Canberra, Australia
Monash University Collection, Melbourne, Australia
Chartwell Collection, Auckland Art Gallery, New Zealand
Artbank, Sydney & Melbourne, Australia
Malaysian Institute of Management, Kuala Lumpur, Malaysia
The Michael Buxton Contemporary Australian Art Collection, Melbourne, Australia

LOUISE WEAVER
SOLO EXHIBITIONS - GROUP EXHIBITIONS -BIBLIOGRAPHY -PAGE ART - AWARDS & RESIDENCIES -COLLECTIONS -TOP