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Weaver

Biography

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LOUISE WEAVER

1966

Born Mansfield, Victoria, Australia

Lives, Melbourne, Australia

EDUCATION

1986-88

Royal Melbourne Institute of Technology, Faculty of Art, Design and Communication. Bachelor of Arts, Painting 

1992-96

Royal Melbourne Institute of Technology, Faculty of Art, Design and Communication. Masters of Arts, Painting

Currently lectures in the School of Art and Culture at RMIT University, Melbourne

 

SOLO EXHIBITIONS

2019

Between Appearances: The Art of Louise Weaver, curated by Melissa Keys, Buxton Contemporary, Melbourne

Behind the Scenes, Darren Knight Gallery, Sydney

2017

The Kind That Gives Body To Words, Darren Knight Gallery, Sydney

2015

Dark Spring, Darren Knight Gallery, Sydney

2013

Night Repair, Darren Knight Gallery, Sydney, Australia

2012

Catalyst, Australian Print Workshop, Melbourne

2011

Works on Paper, Darren Knight Gallery, Sydney, Australia

2010

Capsize, Darren Knight Gallery, Sydney, Australia

2009                   

Firestarter, Darren Knight Gallery, Sydney, Australia

2008                   

Secrets are for keeping, Darren Knight Gallery at Melbourne Art Fair, Melbourne, Australia

2007                   

Out of this world, Darren Knight Gallery, Sydney, Australia

2006                   

Taking a chance on love - Selected works 1990-2006, McClelland Gallery and Sculpture Park, Victoria, Australia

2005                   

No small wonder, Darren Knight Gallery, Sydney, Australia

No small wonder, Darren Knight Gallery atsilvershot, Melbourne, Australia

2004                   

Australian Print Workshop Gallery, Melbourne, Australia

2003                   

Michael Lett, Auckland, New Zealand

Taking a Chance on Love, Darren Knight Gallery, Sydney, Australia

Moonlight Becomes You, City Gallery Wellington, New Zealand and DunedinPublicArtGallery, DunedinNew Zealand

Louise Weaver selected works – 1999 to 2003, presented by Scanlan and Theodore, GPO Melbourne, Australia

2001                   

Make Believe, Darren Knight Gallery, Sydney, Australia.

1999                   

Darren Knight Gallery, Sydney, Australia.            

1997                   

Darren Knight Gallery, Sydney, Australia.

I have a small yellow bird in my ear that sings,200 Gertrude Street, Melbourne, Australia.

1996                   

Stephen McLaughlan Gallery Melbourne, Australia.

Blossoms of the snow are always six-pointed, Faculty Gallery, RMIT, Melbourne, Australia.

1995                   

Westspace, Melbourne, Australia.

1993                   

The Open Studio, Studio exhibition, Greene Street, New York City, USA.

 

GROUP EXHIBITIONS 

2019

A stitch in time, Hamilton Gallery, Victoria, Australia

Soft Core, curated by Micheal Do, Perc Tucker Regional Gallery, Townsville, Australia

Obsessed: Compelled to Make, Glasshouse, Port Macquarie, NSW, Australia

Glass Eye, LON Gallery, Melbourne, Australia

Acts of Reversal - Some Abstraction from China, New Zealand and Australia, curated by Craig Eastern, Five Walls, Melbourne, Australia

Museum of Aphorisms and Platitudes, curated by Phil Edwards, C3 Contemporary Art Space, The Abbotsford Convent, Melbourne, Australia

The Moon, curated by Lisa Sullivan, Geelong Gallery, Victoria, Australia

52 Impressions, G.R.A.I.N Store, Nathalia, Victoria, Australia

Perceiving The Matter Of Time In Recent Painting And Photography, Five walls, Melbourne

Obsessed: Compelled to Make, Artspace, Mackay, Queensland

Soft Core, Caboolture Regional Art Gallery, Queensland

Word of Mouth, a pop-up project in four fragments choreographed by Peter Hill, Venice, Italy

2018

Darren Knight Gallery at Sarah Scout Presents, Sarah Scout Presents, Melbourne

Impressions 2018, Australian Print Workshop Gallery, Melbourne

Birdlife, Australian Print Workshop Gallery, Melbourne

The Horse, Darren Knight Gallery, Sydney, Australia

Darren Knight Gallery at Spring 1883, Windsor Hotel, Melbourne 1 – 4 August 2018

Bowerbird: Clinton Bradley and the Art of Collecting, Western Plains Cultural Centre, Dubbo, NSW

The Lady & the Unicorn, Art Gallery of New South Wales, Sydney

Obsessed – Compelled to Make!, Australian Design Centre, Sydney; Cairns Regional Gallery, QLD; Artspace Mackay, QLD; Lake Macquarie City Art Gallery, NSW; Glasshouse Port Macquarie, NSW; Blue Mountains Cultural Centre, NSW; Tamworth Regional Gallery, NSW; Lismore Regional Gallery; JamFactory, SA; Alcoa Mandurah Art Centre, WA; Ararat Regional Gallery, VIC; Casula Powerhouse Arts Centre, NSW

2017

Cross Section, Australian Print Workshop, Melbourne

APW Print Fair, Australian Print Workshop, Melbourne

Spring Feast, Australian Print Workshop, Melbourne

Drawing, Darren Knight Gallery, Sydney

World Material, Darren Knight Gallery, Sydney, curated by Chloe Wolifson

Collective Vision: 130 Years, Bendigo Art Gallery, Victoria

Soft Core, Lake Macquarie City Art Gallery, New South Wales; Hawkesbury Regional Gallery, New South Wales; Bathurst Regional Gallery, New South Wales; Cowra Regional Art Gallery, New South Wales; Shoalhaven Regional Gallery, Nowra

Every Brilliant Eye: Australian Art of the 1990’s, National Gallery of Victoria, Melbourne, Victoria, Australia

Memory Bliss, Sydney Children’s Hospital Foundation, Sydney

2016

Impressions 2016, Australian Print Workshop, Melbourne

Sugar Spin: You, Me and Everything, Queensland Art Gallery | Gallery of Modern Art

Human/Animal/Artist, McClelland Sculpture Park + Gallery, Victoria

Birds: Flight Paths in Australian Art, Mornington Peninsula Regional Gallery, Victoria

Wildthing: Animals in Contemporary Australian Art, Mosman Art Gallery, Sydney

Soft Core, Casula Powerhouse Arts Centre, Sydney

SPRING 1883, Room 224, Hotel Windsor, Melbourne

Museum of Doubt, Despard Gallery, Hobart

Group Show, Darren Knight Gallery, Sydney

2015

Asian Contemporary Art exhibition, Jeonbuk Museum of Art, Seoul, South Korea

Colourwheel, Art Gallery of New South Wales, Sydney

Hiding in Plain Sight: a selection of works from the Buxton Collection, Bendigo Art Gallery, Australia

Collectors' Space, Surry Hills, Sydney

Venice and Biennale Artists at APW, Australian Print Workshop, Melbourne

2014

Melbourne Art Fair, Stand E117, Royal Exhibition Building, Melbourne

The Museum of Abject Sentimentality, RMIT School of Art Gallery, Melbourne

Impressions, Australian Print Workshop, Melbourne

2013

Nature in Print, Australian Print Workshop, Melbourne, Australia

Animate/Inanimate, Tarra Warra Museum of Art, Victoria

PICA Salon 2013, Perth Institute of Contemporary Arts, Perth Australia

Treasures of Newcastle from the Macquarie era, Newcastle Art Gallery, Australia

Myths, Monsters and Magical things, Dowse Art Museum, Lower Hutt, New Zealand

Extending the Reach, APW Prints in Collections Here and Abroad, Australian Print Workshop, Melbourne

Air Born, McClelland Gallery and Sculpture Park, Victoria, Australia

Reading the Space: Contemporary Australian Drawing #3, New York Studio School, New York, USA

MCA Collection; New Acquisitions in Context 2013, Museum of Contemporary Art, Sydney

2012

Volume One: MCA Collection, Museum of Contemporary Art, Sydney

Contemporary Australia: Women, Gallery of Modern Art, Brisbane

Sculpture is Everything, Contemporary works from the Collection, Gallery of Modern Art, Brisbane

Play, National Gallery of Australia, Canberra

New acquisitions from the QUT Art Collection, QUTArt Museum, Brisbane

Drawing Out. Drawing as Notation, text and Discovery, Camberwell College of Art, University of the Arts, London, UK. Curated by Dr Irene Barberis

Australian Print Workshop: Contemporary Works on Paper, Henry Sotheran Ltd, London, UK

Material Reality - Sculpture from the Collection, NewcastleArtGallery, Australia

Museums in the Incident, Monash University Faculty Gallery, Melbourne, Australia

Philanthropy: The art of giving, Bendigo Art Gallery, Australia

Impressions, Australian Print Workshop, Melbourne

2011-2012

Tell me tell me: Australian and Korean art 1976-2011, Museum of Contemporary Art, Sydney / National Museum of Contemporary Art, Korea.

2011

Adaption: Louise Hearman, Louise Weaver, Dubbo Regional Art Gallery, The Armati Bequest, Western Plains Cultural Centre, Dubbo

Home and Away, Australian Print Workshop, Australian Embassy, Washington, USA

Black elastic, two umbrellas, a mint leaf and wheels, Monash University Museum of Art, Melbourne

Darren Knight Gallery, Auckland Art Fair, Auckland, New Zealand

2010-2011

21st Century. Art in the First Decade, Gallery of Modern Art, Brisbane, Australia

2010

LoveArt, Casula Powerhouse Arts Centre, Sydney, Australia

2010 Adelaide Biennial of Australian Art: Before and After Science, Art Gallery of South Australia, Adelaide

Magnetic Islands, RMIT Project Space / Spare Room, Melbourne, Australia

Almanac, the Gift of Ann Lewis AO, Museum of Contemporary Art, Sydney, Australia

Fully Booked, Arts Project Australia, Melbourne, Australia

Curious Colony – A twenty first century Wunderkammer, Newcastle Region Art Gallery, New South Wales, Australia

Gamble against the spirit world, 24 hr Art, Northern Territory Arts Centre for Contemporary Art, Darwin

2009                   

Darren Knight Gallery at Auckland Art Fair, Auckland, New Zealand

Drawing of the World/ World of Drawing, Museum of Art, SeoulNationalUniversity, Seoul, South Korea

Reinventions: sculpture + assemblage, National Gallery of Australia, Canberra

Silently Stirring, National Gallery of Australia, Canberra

2008-2009           

The enchanted forest – new Gothic story tellers, Geelong Gallery, Victoria, Australia and Touring

2008                   

Look! New Perspectives on the Contemporary Collection, National Gallery of Victoria, Melbourne, Australia

Premonitions – Monash University Gallery Collection 1961-2007, McClelland Gallery and Sculpture Park, 2007

Fictions, presented by Switchback Gallery, Gippsland Centre for Art and Design, Monash University, Churchill, Australia

Secondary Sources, School of Art Gallery, RMIT University, Melbourne, Australia

2007                  

Fondamenti Nove, Australian Print Workshop, Melbourne, Victoria

DE OVERKANT/DOWN-UNDER, The Hague Sculpture, The Netherlands

MCA Collection: New Acquisitions 2007, MCA, Sydney, Australia

Love Chief, AucklandArtGallery, Auckland, New Zealand

Voiceless – I feel therefore I am, Sherman Galleries, Sydney Australia

Australian Print Workshop: Impressions from Australia, Australian Embassy, Washington, USA.

Group Exhibition, Darren Knight Gallery at Ryan Renshaw Gallery, Brisbane, Australia 

2006                  

Yours, Mine & Ours, 50 years of ABC TV, Campbelltown Arts Centre, Sydney

High Tide, Zacheta National Gallery of Art, Warsaw, Poland &  the Contemporary Art Centre, Vilnius, Lithuania

Artbank Celebrating 25 Years of Australian Art, Touring exhibition, Australia

The Armory Show Art Fair, New York, USA

X Marks the Spot, RMIT School of Art Gallery, Melbourne, Australia

Animals as allegory,QUT Art Museum, Queensland, Australia

Multiplicity: Prints and Multiples,Museum of Contemporary Art, Sydney Australia and tour to regional Australian galleries 

2005                   

Unstrung-the bead in contemporary art, Latrobe Regional Gallery, Victoria, Australia

The Grey Voice - contemporary Australian drawing, Tin Sheds Gallery, Sydney Australia

Where the Wild Things Are, UTS Gallery, Sydney, Australia

After Nature, Lake Macquarie City Gallery, Lake Macquarie, New South Wales, Australia

The Butterfly Effect, Australian Museum, Sydney

2004                   

Mind’s Eye, Hazelhurst Regional Gallery and Arts Centre, Sydney

2003-2004           

Home Sweet Home: Works from the Peter Fay Collection, National Gallery of Australia, Canberra, touring

Art Australia, touring Germany: Kunst:Raum Sylt-Quelle, Gallerie Seippel, Köln, Stätische Gallerie, Delmenhorst, Germany

Hothouse: the Flower in Contemporary Art, touring: State Library of Victoria; Geelong Art Gallery; GippslandArtGallery; Victoria; McCellandArtGallery, Victoria, Australia

Home and Away; Place and identity in recent Australian Art, touring: Shepparton Art Gallery,Victoria; Newcastle Region Art Gallery, New South Wales; University of Queensland; Faculty Gallery, Faculty of Art & Design, MonashUniversityMuseum of Art, Melbourne; SwanHillRegionalArtGallery, Vic

A Modelled World, McClelland Gallery + Sculpture Park, Victoria

2003                   

The future in every direction: Celebrating the Joan Clemenger Endowment for Contemporary Art, National Gallery of Victoria, Melbourne, Australia

New 03, Australian Centre for Contemporary Art, Melbourne, Australia

The Cicely and Colin Rigg Contemporary Design Award,The National Gallery of Victoria, The Ian Potter Centre, Federation Square, Melbourne, Australia

Fieldwork: Australian Art 1968-2002, The National Gallery of Victoria, The Ian Potter Centre, Federation Square, Melbourne, Australia

2002-2004           

Material Witness, touring exhibition, Tamworth City Gallery, NSW, Mornington Peninsula Regional Gallery, VIC., QUT Cultural Precinct Art Museum, Brisbane, Campbelltown City Bicentennial Art Gallery, NSW, Port Pirie Regional Art Gallery, SA, Tweed River Regional Art Gallery, NSW, John Curtin Gallery, WA, Queen Victoria Museum and Art Gallery, TAS, Australia

Many in One: Place and Identity in recent Australian art,Monash University Museum of art touring exhibition: Shepparton Art Gallery, Shepparton, Victoria, Newcastle Region Art Gallery,Newcastle, New South Wales, Queensland University Art Museum, Brisbane, Queensland, Faculty Gallery, Monash University, Swan Hill Regional Gallery, Swan Hill, Victoria

2002-2003           

Gulliver’s Travels, touring exhibition, College of Fine Arts, Sydney; Monash University Museum of Art, Melbourne; Institute of Modern Art, Brisbane; Canberra Contemporary Art Space, Canberra; Contemporary Art Centre of South Australia, Adelaide and Perth Institute of Contemporary Art, Perth.

2002                   

People, Places + Ideas, Celebrating Four Decades of the Monash University Collection, Monash University Museum of Art, Victoria, Australia

Wildlife, Australian Print Workshop Gallery, Melbourne, Australia

Bitter Sweet, ArtGallery of NSW, Sydney, Australia

Stitching: An Artisan Approach, Project Space and Spare Room, RMIT, Melbourne, Australia

Big Bang Theory; Recent Chartwell Acquisitions, Auckland Art Gallery, Auckland, New Zealand

2001-2002           

Australian Paper Art Awards, The George Adams Gallery, Melbourne; Artspace, Adelaide Festival Centre; UTS Gallery, University of Technology, Sydney, Australia

2000- 2002          

Wildlife - A Field Guide to the Post-Natural, Textile Museum of Canada, Toronto, London Regional Art and Historical Museums, Dunlop Art Gallery, Regina, Saskatchewan, Canadian Craft Museum, Vancouver, British Columbia, Walter Phillips Gallery, Banff, Alberta, Canada.

2001                   

Black/White & Grey, Darren Knight Gallery, Sydney

The sparkling white wine sailor cat AND cormorant friend Leon, project space, RMIT, Melbourne, Australia

Low-down, recent acquisitions, Monash University Gallery, Melbourne, Australia

Our Place; issues of identity in recent Australian art, Monash Centre, Prato, Italy

Alive! Still Life into the twenty-first century, Adam Art Gallery, Wellington, New Zealand

2000-2001           

Lightfingered, Plimsoll Gallery, Hobart and touring throughout regional Australia

2000                   

Liberty, RMIT Gallery, RMIT, Melbourne, Australia.

The Retrieved Object, Linden Arts & Gallery, Melbourne, Australia

Rent, Overgaden, Copenhagen, Denmark and ACCA, Melbourne, Australia.

The Crystal Chain Gang – prismatic geometry in recent art, Auckland Art Gallery, New Zealand.

Works on paper, Sung Shin Museum, Sung Shin University, Seoul, Korea.

The Exquisite Corpse, Bendigo Art Gallery, Bendigo, Australia.

All creatures great and small, Old Treasury Building, Melbourne, Australia.

1999                   

People, Places, Pastimes: Changing perspectives of Ipswich, Global Arts Link, Ipswich, Australia.

Emblematic, Smith and Stoneley, Brisbane, Australia.

Works on Paper by Contemporary Australian Artists, Seoul National University, Seoul, Korea.

Contempora 5, The Ian Potter Museum of Art, The University of Melbourne, Australia.

1998                   

Eyedream, Grainger Museum, The University of Melbourne, Australia.     

Unhomely, Art Sonje Center, Seoul, Korea.

Metamorphosis, Mornington Peninsula Regional Gallery, Victoria, Australia

Loop, touring exhibition, initiated by 200 Gertrude Street, Melbourne, Australia.

Ecologies of Place and Memory, University Gallery, University of Tasmania,  Plimsoll Gallery, Centre for the Arts, Hobart, Tasmania.

National Works on Paper, Mornington Peninsula Regional Gallery, Australia.

Transformations, RMIT Gallery, Melbourne, Australia.

Taken, Project Space, RMIT, Melbourne, Australia.

1997                   

1997 Moet & Chandon Touring Exhibition, Queensland Art Gallery, National Gallery of Victoria, Art Gallery, of Western Australia, Art Gallery of New South Wales, Art Gallery of South Australia.

Deacon Graham and James/Arts 21 Award, Museum of Art, Melbourne University, Melbourne, Australia.

Australian Perspecta 1997; Between Art and Nature, Museum of Contemporary Art, Sydney, Australia.

Multiplication: The Multiple Object in Art, Monash University Gallery, Monash University, Melbourne, Australia.

Colloquy, Centre for Contemporary Photography, Melbourne, Australia.

1996                   

Rumble, Underground Photography, Center for Contemporary Photography,Melbourne, Australia.

Exactly, 200 Gertrude Street, Melbourne, Australia.

The Art of Collecting #2, Artists Photographs, Linden Gallery, Melbourne, Australia.

Working in Collaboration, Westspace, Melbourne, Australia.

1995                   

Decadence, Ten Years of Exhibitions, 200 Gertrude Street, Melbourne, Australia.

Steam, Salon Exhibition, Fringe Festival, Stop 22, St.Kilda, Melbourne, Australia.

5 days, 25 artists, Installation, 41 Gold Street, Melbourne, Australia

1994                   

Masters Exhibition, Faculty Gallery, RMIT, Melbourne, Australia.

Works on Paper, Australian Contemporary Artists, RMIT Gallery, Melbourne, Australia.

1992                   

Domino 1 (Exhibition of Collaborative Works), The Ian Potter Gallery of Contemporary Art, The University of Melbourne, Melbourne, Australia.

Art-Tech, Next Wave Festival, National Gallery of Victoria, Melbourne

Sea and City, Blaxland Gallery, Melbourne, Australia.

Works on Paper, Australian Contemporary Artists, RMIT Gallery, Melbourne, Australia.

1991                   

Platform, Installation Space, Spencer Street Railway Station, Melbourne, Australia.

 

PAGEART

Westpac Private Bank Insight, winter 2003, p. 12

Art & Australia, Vol. 44 No. 3, Autumn 2007, front cover and frontspiece

Drawing of the World / World of Drawing, Museum of Art, SeoulNationalUniversity, (catalogue image), published 2009

24 hr Art, Northern Territory Art Centre Program Feb-June 2010

Editorial. Vogue Living Australia, July/August p.140 (image) 2010

PUBLICATIONS

2003

Louise Weaver selected works – 1999 to 2003 presented by Scanlan and Theodore, Published by

Scanlan and Theodore, Melbourne, 2003

2005

No Small Wonder, Darren Knight Gallery and Louise Weaver

2007

Out of this World, Darren Knight Gallery and Louise Weaver

2008

Secrets are for keeping, Melbourne Art Fair, Darren Knight Gallery and Louise Weaver

 

COMMISSIONS

1992-93               

Commissioned by MonashUniversity to contribute to a limited edition book of prints - Travasare 2 - a joint

project with the Australian Print Workshop for the Centre for the Development of Artists Books and Limited

editions (CDAB)

2007                   

Commissioned by Art & Australia to create a sculpture, limited edition hand-embroidered cover

and limited edition screen printed bag containing poster, collaborative zine and collaborative poster, to

accompany Art & Australia volume 44, number 3.

 

GRANTS & AWARDS

2009

Australia Council Visual Arts Board, New York Studio Residency, USA

Australian Tapestry Workshop Studio Residency, Melbourne, Australia

2007

Australian Print Workshop Venice Studio Residency, Italy

2003

The Cicely and Colin Rigg Contemporary Design Award, Australia

Australian Print Workshop Collie Print Trust Inaugural Fellowship

1999

Arts 21 International Export and Touring Program, Arts Victoria

1998

Australia Council Visual Arts/Craft Fund Grant

 

COLLECTIONS

The British Museum, London, United Kingdom

Art Gallery of New South Wales, Sydney, Australia

Queensland Art Gallery | Gallery of Modern Art, Brisbane, Australia

National Gallery of Victoria, Melbourne, Australia

Museum of Contemporary Art, Sydney, Australia

National Gallery of Australia, Canberra, Australia

Monash University Collection, Melbourne, Australia

Art Gallery of South Australia, Adelaide, Australia

Chartwell Collection, AucklandArtGallery, New Zealand

Bendigo Art Gallery, Victoria, Australia

Artbank, Sydney & Melbourne, Australia

Malaysian Institute of Management, Kuala Lumpur, Malaysia

Dubbo Regional Art Gallery, Australia

Wollongong University Collection, Australia

The Michael Buxton Contemporary Australian Art Collection, Melbourne, Australia

City of Stonnington Art Collection, Melbourne, Australia

Queensland University of Technology Art Museum, Brisbane, Australia

Faculty of Science Collection, Monash University, Melbourne, Australia

 

BIBLIOGRAPHY

Abdulrahim, N. Louise Weaver Nature / Nurture, Vault, Issue 22, May – July 2018

Anderson, J. Undermining our assumptions, review, Leader-Post, Regina, Canada, 19 July 2001

Andrews, M. Rent, preview, Contemporary Visual Arts, Issue 29, 2000

Angeloro, D. It’s chaos, Sydney Morning Herald, 14-20 January, 2005

Angeloro, D. Wild at art, Metro, Sydney Morning Herald, 20 – 26 May 2005

Angeloro, D. Get the lead out, Metro, Sydney Morning Herald, 5-11 August 2005

Arndt, R. Showcase: Louise Weaver, Museums and Galleries of NSW

https://mgnsw.org.au/sector/news/showcase-louise-weaver/

Art Gallery Society of New South Wales, Beauty and the bestiary, Look, March-April 2018, pp. 14-15

 Artbank, Artbank Celebrating 25 Years of Australian Art, Exhibition Catalogue, 2006

Backhouse, M. Louise Weaver, The Age Melbourne Magazine, Issue #11, September 2005

Backhouse, M. Fabricated fantasy offers a glimpse of the future, News & Reviews Metro: The Age Thursday 13 July 2006 p.19

Backhouse, M. Animate/inanimate, Art Guide Australia, July/August 2013

Barber, K. Louise Weaver in conversation with Kate Barber, online catalogue for The Enchanted Forest, a Geelong Gallery and NETS Victoria touring exhibition, http://www.netsvictoria.org/enchanted/pdf/INTERVIEWS-           Enchanted_Forest.pdf, published 2008

Barclay, A. Weaver of Magic, Herald Sun, 13 September 1999

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Bruce-Rosser, K. Roo Bound to Impress, The Stonnington Leader, Melbourne, December 2009

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Kemp, J. Before and After Science: Adelaide Biennial Of Australian Art, dB Magazine p.28, 31 March 2010

Kent, R. Louise Weaver in conversation with Rachel Kent, Art & Australia, Vol. 44 No. 3, Autumn 2007 pp. 412 – 413

Kent, R. Louise Weaver, Art and Australia Vol 43 No 3 Autumn 2006

Kent, R. Deacons Graham and James/Arts 21 Award, exhibition catalogue, MelbourneUniversity

Kent, R. Artists and collections: A Working Partnership, Artlink, Australian Contemporary Art Quarterly, Vol. 19#1, 1999

Kidd, C. Weaving distortion, Art Monthly Australia June 2007 #200, p. 52

Kiely, A. Thread alert, Vogue Living, March/April 2009, p. 65

Kirker, A., Contemporary Australia: Women, Eyeline Contemporary Visual Arts, No. 77, 2013, p.66

Ko, H., Preview Ten Shows for 2011, Art Asia Pacific, September 2011, Art Almanac Vol. VI

Koop, S. Nice Touch, art/text, no.59, Nov 1997 – Jan 1998.

Koop, S. Louise Weaver, catalogue essay, Contempora 5, National Gallery of Victoria and Ian Potter Museum of Art, Melbourne 1999

Koop, S. Louise Weaver, catalogue essay, Ojeblikket: Magazine for Visual Culture, Special Issue #3 vol.10, Rent, 2000

Koop, S. Gulliver’s Travels, catalogue notes, Contemporary Art Services of Tasmania, 2002.

Koop, S. Crackle…, Contemporary Art From the Middle of Nowhere, Institute of Modern Art, Brisbane, 2008

Kunda, M. From the bottom, with feeling, Broadsheet, vol.31,no. 3, Sept-Nov. 2002

Lawes, Antony, The Planner, Sydney Morning Herald, 28 Feb – 1 March 2009

Larkin, A. Going, going, gone, Vogue Living, May/June 2005

Laviolette, M. Textiles define the fabric of art, review, Calgary Herald, 22 December 2001

Low, L. 10 things to do, Sydney Morning Herald Spectrum  21 May 2005

Low, L. See, Sydney Morning Herald Spectrum21 May 2005

Loxley, A. A worthwhile chance with exquisite beauty in Weaver’s world, The Sydney Morning Herald, 7 October 2003

Loxley, A. Mixed media in frame, The Sydney Morning Herald, 31 December 2003

Luffman, A. Wildlife: A Field Guide to the Post-Natural, review, Lola 8, Winter 2000-2001

Lunn, J. Catwalk diversions, Fashion Police, Good Living; Sydney Morning Herald, 11November  2003

Lynn, V, Animate/inanimate, TarraWarra International 2013 exhibition catalogue, Melbourne, 2013

Madeleine, A., Animate/Inanimate, Art Almanac, pp. 46-47

Magner, B. Louise Weaver, Australian Print Workshop Collie Print Trust Fellow Brochure, 2004

Marsh, A. Women’s Art and Feminist Criticism in Australia 1968-2018, Victorian College of the Arts, 

Melbourne, 2019

Mateer, J. Naturalisation: Recent Australian art and the natural, Art Monthly, Dec 2001-Feb 2002, No. 146.

McDonald, A. Where the wild things are, State of the arts25 May 2005

McDonald J. Happy wonderers, Spectrum, The Sydney Morning Herald, 5-6 February 2005

McDonald, J. Sowing Seeds of a New Vision, The Sydney Morning Herald, 23 August 1997

McDonald, J. Treasures from a curious chest, The Sydney Morning Herald, 7-8 August 2010

McDonald, J. That 70s show, Sydney Morning Herald, July 16-17, 2011

McDougal, R., Louise Weaver: A room of one’s own, Catalogue essay, Contemporary Australia: Women, Queensland Art Gallery | Gallery of Modern Art, pp 156-159

McElroy, G. Wildlife, review, Fibrearts, Sept/Oct, 2001

McKenzie, R. Fashion with a Natural Finish, The Herald-Sun, 17 November 1997

McKenzie, R. Bags of Couture, The Age, 22 November 1995

McKenzie, R. From Blockbusters like Matisse, to the intriguing work of Louise Bourgeois, to the influence of technology, women still firmly in the picture, The Age, 27 December 1995

Mark, L.G. Wildlife: A Field Guide to the Post Natural & Louise Weaver, catalogue essays, Wildlife: A Field Guide to the Post Natural, The Museum for Textiles, Toronto, Canada 2000

Meacham, S. Take this cabinet and stuff it, Sydney Morning Herald, 13 January 2011

Mendelssohn, J. The curators, the diplomat and 'The Lady and the Unicorn’, Art Monthly Australia, Issue 307 / May 2018, p.34

Michael, L. Australian Perspecta; Between Art and Nature, exhibition catalogue, Museum of Contemporary Art, Sydney 1997

Murray, K. Transformations; Digital Imaging and the Art Object, RMIT Gallery, Museum of Contemporary Art, Sydney 1997, Melbourne 11 July – 9 August 1998, Like No.7 Summer 1998-99

Nelson, R. An Installation of Authority, The Age, 16 April 1997

Nelson, R. Someone else’s home is where this art is, review, The Sunday Age, 3 September 2000

Nelson, R. Seeing is believing, review, The Age, 24 November 2000

Nelson, R. Volume & Space, review, The Age, 7 March 2001

Nelson, R. Bones broken away from living world, The Age, 21 August 2013

Nunn, L. Dark Arts,SA Advertiser Weekend p.26 March 6 2010 (Image).

O’Callaghan, G. Editor, Triguboff, E., Commissioning Editor. Art and Australia, Collection, Awards, Projects 2003-2013, pp. 7, 17, 104-1-5, 136

O’Dea, M. Local Heroes, Vive, Spring 2000

Osborne, C. Wildlife: A Field Guide to the Post-Natural, review, Ontario Craft, 2000

Pedler, C., Hiding in Plain Sight exhibition opens at Bendigo Art Gallery, Bendigo Advertiser, 18 July, 2015

Pierini, E. Loop, catalogue essay, 200 Gertrude Street, Melbourne 1998

Porter, G. The Crystal Chain Gang: Prismatic Geometry in Recent Art, AucklandArtGallery, Toi o Tamaki, New Zealand, review, Eyeline Contemporary Visual Arts, Number 43, Spring 2000

Powell, S. Live Fast, buy young, have a good looking wall, The Australian Arts Review, 11-12 November 2000 

Raddock, S. Magical Thinking, 2010 Adelaide Biennial of Australian Art Before and After Science, Australian Art Review p.74 issue 22 Feb-Apr 2010

Raddock, S. Beam Me Up, 2010 Adelaide Biennial of Australian Art Before and After Science, The Adelaide Review p.32 March 2010.

Rooney, R. When Friendship Enters the Picture, Weekend Australian, 1-2 August 1992

Rossler, L. Christmas Gift Guide 2012, The Sydney Magazine, Sydney Morning Herald, issue no. 116, December 2012, p 21

Safe, G, Raw Emotion, Vogue Australia, October 2010, pp.94-97

Safe, G, Art in Fashion, Sydney Morning Herald, June 28 2012

Schwartzkoff, L. Young Artists embrace their inner nanna, Sydney Morning Herald, 25 April 2012

Scott, H. Unweaving the rainbow, Urbis, Issue 49, 2009. pp. 140-142

Slade, L. Art on the rebound, Art Monthly Australia, #216 Bumper Summer Issue: December 2008 - February 2009, pp. 11-13

Slade, L. Curiouser and Curiouser, Curious Colony: A twenty first century Wunderkammer. Newcastle Regional Art Gallery. Catalogue pp. 12-13,50,56-57,85-87

Smee, S. Australia’s champion of the outsider, The Art Newspaper, no.141, November 2003 

Smee, S. Dot complimentary, Weekend Australian Review, 9-10 September 2006, pp.18-19

Smith, A. Things Extreme and Scattering Bright, The Crystal Chain Gang: Prismatic Geometry in Recent Ar’t, catalogue essay, Auckland Art Gallery, New Zealand 2000.

Smith, J. Unhomely House, Unhomely Universe, catalogue essay, Unhomely, Art Sonje Centre, Seoul, Korea, Asia Link Centre and the National Gallery of  Victoria 1998

Smith, J. Weaver by Name and by Nature, Real Time, Feb/March No.21 1998

Smith, J. An imaginary realm of post-natural beings, Art & Australia, Vol. 44 No. 3, Autumn 2007, pp. 404 – 411

Snaith, T., Wagstaff, A., Animate/Inanimate (review), Smart Arts with Ricahrd Watts, Triple RRR radio station, 22 August 2013

Somerville, K. Cecily & Colin Rigg Contemporary Design Award, catalogue, National Gallery of Victoria, 2003

So-young, M., Going Down Under and Around Seoul, Joong Ang Daily, 23 June 2011, p 10

Stanhope, Z. Multiplication: The Multiple Object in Art, catalogue essay, Monash University Gallery, Monash University 1998

Stanhope, Z. Everlasting, catalogue essay, Hothouse, Monash University Museum of Art, May 2003

Stein, A., Women of Substance, Australian Vogue, May 2012, p 142

Stephens, Andrew, A Difficult Love p.10 Art Monthly Issue 309/ August 2018

Stowell, J. The world around us, Weekender2 April 2005

Strahan, L. New and Unexpected, Melbournemagazine, issue 6, April 2003

S´witek, G. And Who So Happy?, Broadsheet June- August 2006, pp. 90 – 93

Timms, P. Eyes averted, but still on the prize, review, The Age, 21 September 1999

Travis, L. Hot Prospects, Vogue Australia, February 2001

Tunnicliffe, W. Bittersweet, catalogue essay, Art Gallery of New South Wales, 2002

Tutton, S., Through the filter of the present: Tarrawarra Musuem of Art, Victoria Lynn, page 203-205 Art and Australia, Issue 51 No. 2, 2013

van der Laar, M. Artoteek – Louise Weaver, De Overkant/Down Under – Den Haag Sculptuur 07, Den Haag Sculptuur, The Hague, 2007, pp. 138-139.

Vida, S. Wildlife exhibit in Banff marked by irony, review, Fast Forward, Jan 10 –16 2002

Wallace, M, ed. 21st Century. Art in the First Decade, Queensland Art Gallery/Gallery of Modern Art, Brisbane, Australia 2011, pp.166, 284

Wallace, M, ed. 21st Century. Art for Kids, Queensland Art Gallery/Gallery of Modern Art, Brisbane, Australia 2011, pp.93-101, 175

Walker, W. Strange wanderings, The Advertiser, Saturday,8 March 2003

Watt, N. Down the Rabbit Hole, p 166 (image), Australian Art Collector, issue 62 October – December 2012

Waterlow, N. The Creation of Contemporary Australian Art. Current, Contemporary Art From Australia and New Zealand. Edited by Art and Australia.

Weaver, L. Artist’s statement, ABC TV website http://www.abc.net.au/tv/yours/artists/weaver.htm

Weir, K. Sculpture is Everything (image) pp. 78,115 Queensland Art Gallery / Gallery of Modern Art

Webb, P. Weaver’s world: red in tooth and claw

Wellington, R. A Stitch in Time, Art Market Report, Page 30, Issue 30, Fourth Quarter 2008

Zagala, A. Louise Weaver, Before and After Science, 2010 Adelaide Biennial of Australian Art. Art Gallery of South Australia. Catalogue pp 82-83

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